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Surface detail that describes several of the layers including the raw linen negative line, with the Cobalt over layer and several positive lines
Installation shot Continuum in Symmetry, Djanogly Art Gallery, Nottingham UK
Layers sequence shot in the Artist in Residence Studio
Work in early progress in the Artist Residency Studio 2010
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1LC SymR+M Prussian Blue on Cobalt (XXL Artwork) Painting

Marek Tobolewski

United Kingdom

Painting, Oil on Canvas

Size: 74.8 W x 78.7 H x 1.6 D in

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1248 Views
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About The Artwork

Medium: Oil on Linen This work is now released and available for purchase from the archive. Due to the scale, the painting will be wrapped in archival paper and bubble wrap and will be shipped in a crate for safe transit.. Painted with high quality Mike Harding fine artist oil paints on fine grain Amsterdam Linen. Created 2010 during Artist in Residency at DH Lawrence Pavilion, Lakeside, Nottingham and exhibited as a part of Continuum in Symmetry, a major solo at Djanogly Art Gallery, Nottingham. Marek Tobolewski: Continuum in Symmetry Djanogly Art Gallery, Nottingham 8 May - 13 June 2010 Ruth Solomons Marek’s paintings are based on a particular sort of line that derives from drawing both in concept and through attention to placement upon surface: painted lines which relate directly to a mode of thinking that is particular to drawing, of gesture then decision then gesture, both disjointed and continuous. With their fixed width and deliberated routings, Marek’s carefully painted lines denote the use of a tool – in actuality a paintbrush. Yet they draw allusion to a physical sculpting from a machine-like tool which would produce such a uniform line. ... Marek’s emphasis on drawing permeates the paintings, leaving traces of the decision-making process underlying each paintings’ construction. Serial circular arcs imitate and perfect a natural curve of an artists’ reach, with gestation periods between each decision point: like a time-line, accelerating and slowing. At times lines become dense: deliberated in twists and junctures. Restlessly fluctuating they give a feeling of lightness and air, a three-dimensional nest-space. Your eye dances with the changing directionality: parallel, divergent or convergent, implying perspective in silhouetted three-dimensional form. Your eye dances not just across the plane of the painting but also backwards and forwards in the three-dimensional area between you and the painting. ... In 2LC SymM Prussian Blue on Cobalt, Marek exploits the potential for our eyes to sense visual depth of space in colour resonance as well as in the linear wanderings of the painted forms. Within a very tight spectrum range, he combines contrasting hues to create sensory noise amid concurrent readings of solid/liquid/air. Blue makes a particular sort of space in the mind’s eye, and here Marek exploits the richness and suggestiveness of blue while keeping the pigments as pure as possible. Mineral cobalt lies anchored in a solid half-submerged layer beneath ragged glazings of night-sky inky prussian’s dense pigment suspended in its oily translucent medium-vehicle. Negative linen lines glow earthy-rich in peach-orange narrow wavering bands in complementary contrast to the heavy expanse of resonating blues. Undulating deep red arterial lines and buried seams of white bring the painting into vibrant and harmonious balance. Marek’s method flutters between the seductive qualities of each pigment, while heeding an instinct for balance that leads to a harmonious marriage between their variations in translucency, intensity and material plasticity. Continuum in Symmetry is a painting show that fits very securely into the realm of painterly painting, and showcases Marek’s work as studio-based investigation into painting process: an artist’s artist. Yet there is a generosity evident that resists definition as pure painting in a Greenbergian sense: a playfulness in the repetition of an ambiguous network motif that signposts distinct colours and distinct layers into an open field of visually enjoyable painted surface. Even the thinnest most tenuous faint lines stretch across the full picture plane, and so play an equal role; in analogy Marek’s quiet paintings are indicative of a prevalent tendency towards honesty and beauty in painting now, away from showmanship, trickery and illusion. Ruth Solomons is a writer, researcher and artist based in London. Full Review on Interface a-n 24 June 2010 https://www.a-n.co.uk/p/645610

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:74.8 W x 78.7 H x 1.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

English b.1964 Lives & works in Nottingham UK. Resident artist at PRIMARY Nottingham ... Recipient of the Pollock-Krasner Foundation Award ... Pre-Covid collaborate with the 2021 collective Turner Prize winner Grace McMurray, the Belfast based artist, for The Expanded Studio Project with PS2 in Belfast, Northern Ireland in 2019 "... Marek Tobolewski'’s work continues to entrance and mystify... CiS is the most impressive show of Tobolewski’s I have ever seen ... his artistic practice seems to be a never-ceasing journey along a single path, continually striving for new insights and perfections." Andrew Cooper-NVA Ed Drawing underpins my practice, it deals within both the formal process of abstraction today and its historical continuity. The ongoing Continuum series of works are concerned with spatial portals held within symmetry and reflection, of rotated and mirrored linear forms. The linear ’Syms’ are continually evolving and endlessly being reinvented … “I return to existing works, adjust structures and refine each individual flow of a line in an attempt to hold a balance between movement and stillness.”

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

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