Canvas Painting

Egle Karpaviciute (b. 1984) is a painter of the young generation who joined the Lithuanian art scene already as a student of the Vilnius Academy of Arts and has been its active participant ever since. She held several solo exhibitions and participated in dozens of group exhibitions in Lithuania and abroad; her works were exhibited in prestigious art institutions (National Art Gallery and Contemporary Art Centre in Lithuania, KUMU Art Museum in Estonia, Contemporary Art Centre PasquArt in Switzerland, and elsewhere), her works are also held in the collection of the Modern Art Centre in Vilnius. In 2015 E. Karpaviciute became the winner of two prestigious art contests: “Premio Combat Prize 2015” and international art competition “Donkey Art Prize”. In 2013, artist received an individual state grant of the Ministry of Culture of the Republic of Lithuania. In 2011, painter became a finalist of the prestigious competition “The Sovereign European Art Prize” in Istanbul. The artist is a multiple finalist and winner of the audience prize at the competition “Young Painter’s Prize”. The object of the artist’s creative research is the world of culture, above all, visual culture. The key motifs of Karpaviciute’s paintings are eminent works of art (paintings, performances, installations, ready-made works), architectural objects and other cultural artefacts. While applying the principle of a painting within a painting (more generally, a work within a work), and repainting the works by famous artists, Karpavičiūtė questions their universal perception, the concept of originality of a work, and the status of an artist. She captures temporary forms of artistic expression and art structures with the help of the long-lasting painting medium, thus evaluating the relation of painting to other branches of art and as if emphasising the supremacy of painting which has been on top of the hierarchy of art for several centuries (though there were multiple attempts to dethrone it). A considerable part of the artist’s work consists of painted exhibitions of art works. Uniformly white gallery spaces represented in her paintings speak about the contemporary features of art presentation and the habits of its consumption, and addresses the problems of a spectator and art consumer.