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Bobby Fischer in Reykjavik Painting
Germany
Painting, Oil on Other
Size: 47.2 W x 31.5 H x 2 D in
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About The Artwork
Bobby Fischer in Reykjavik (2012) oil on canvas 47.2 x 31.5 inch (2012) Öl auf Leinwand 80 x 120 cm www.eckhard-besuden.de I was only 8 when I saw him on the TV. The Benoni, the English opening in especially the Sicilian was very great. He is the last champion in chess before Computers take over. But there ist more. His face was so melancholy. This is a painting which shows him after the matches against Spassky. He should be a winner, but he wasnt. He dont want to talk to Reporters after the matchwin. He wants the quiet Island, his chauffeur drove him to. This is the real feeling. We are artists. We try and try and try to make a good work. We hate these days of anger and the nights of horror so much when everyone sleeps but we are working. But we try to do the next painting. If we get famous and there are only a few, in the first time we are satisfied. And then we get - crazy like Bobby. Because if you really put your live in paintings you normaly get crazy. Its a tragedy. So lets paint the next one...
Details & Dimensions
Painting:Oil on Other
Original:One-of-a-kind Artwork
Size:47.2 W x 31.5 H x 2 D in
Frame:Not Framed
Ready to Hang:No
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Germany
Besuden is painting antideterministic art. For the first time at the beginning of the new century (2005) in London the question is raised, whether deterministic attributes of modern painting (new, authentic, antidecorative, scandalous) must be fundamentally reconsidered. In 2009 the Frankfurter Allgemeine Zeitung published a report about the Transition Gallery in London, and their new appreciation of art under the heading: 'we need more dilettantes'. In this case the scandal is not intended to create a better saleability. Art musnt be no longer new, authentic, anti-decorative to be serious art. The anti-deterministic artist is allowed to paint old, anti-authentic, decorative but in a new dogmatical style. With every peace of art, corresponding with the above mentioned characteristics, the artists turns against the dictate of the ruling dogmatics. He is pursuing art policy by intentionally ignoring the quality requirements of the first art market and thus he regains absolute artistic freedom. www.eckhard-besuden.de
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