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Spring Nocturne Painting

Kendra Larson

United States

Painting, Acrylic on Wood

Size: 36 W x 48 H x 3 D in

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Originally listed for $1,370
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2072 Views
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About The Artwork

A spring night in Forest Park, Portland OR. Landscape painting is extremely enjoyable. Each piece can be full of personality, like portraiture, and abundant with unforeseen opportunity. The subtle poetry, complicated color, and unique compositions make the process of creating exciting. My fascination with nature stems from an interest in contemporary film noir, literature on the woods, and research of natural phenomena. In my art practice, I find that chaos, awe and fear are revealed in ways I could not plan when I begin a piece. The imagery I explore focuses on Oregon because this is my home and I have a personal connection to these places. Another reason I choose to depict this area is because I think the Pacific Northwest is special; here, our cultural identity, spirituality, and sense of history is strongly intertwined with the landscape. Though I am working within the grand tradition of representational landscape painting, there is a point where I draw out and highlight the material properties of paint through shifting its application. With the recent global financial collapse and rebuilding of infrastructure, the building materials I weave into my paintings have taken on complex new meaning. While I am touching on subjects that painters such as Charles Burchfield and Casper David Friedrich have before me, my work employs a contemporary use of color and materials. Landscape painting has historically helped clarify each generation’s understanding of Place. In other words, painting reflects each generation’s cultural understanding of nature. My work is a collection of paintings that function within this tradition. My generation, marked by the uncertainty, nostalgia, and Romanticism brought on by political and economic uncertainty, takes comfort in the nostalgic view of nature as an unchanging spiritual force. The playful, magical, and emotional quality of this work ultimately helps to shed new light on what we call landscape painting.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:36 W x 48 H x 3 D in

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The first thing Kendra Larson learned to draw was conifer trees when she was seven. It was with her mom on a hike just north of Seattle. The air was crisp and it smelled like pines. There were mushrooms and slugs hiding in plain sight. Her mom showed her how to make the tree trunks darker on the sides to make them look cylindrical. Taking the time to observe the shadow shapes, Kendra worked the graphite to a stub. Larson was born in Salem, Oregon and lived there until she was eighteen. She moved to Portland and received her BFA from the Pacific NW College of Art and, following a residency at Caldera Artist Residency in Sisters Oregon, she began drawing large scale, charcoal landscapes. Full of awe and Romanticism, these drawings depicted the haunting mood and regenerative qualities of burnt forests. In 2006, she attended the New Pacific Studios artist residency in New Zealand, a land that was clear cut to make way for farming. These stark rolling hills gave her a better appreciation for how nature is understood in the Pacific Northwest: a balance between treating the woods as a recreational treasure, spiritual beacon, and economic commodity. Later that year, Kendra moved to Madison, Wisconsin for graduate school. She quickly became homesick for the dewy NW air and the undulating mountainous horizon. Making images of her home made her feel better and that nostalgia was woven into her work. While at UW, Kendra taught undergraduates how to draw from observation and excited in them an interest in art. She also opened an art gallery called the Project Lodge. Juggling her painting, teaching, and the gallery was a challenge that, in the end, helped Larson develop a strong studio practice. Her thesis work consisted of forest paintings and painterly sculptures of woodland creatures. The work played up themes of mystery, fear, and myths tied to the wilderness. In 2009, she received her MFA in Painting and Drawing and returned to Oregon. Kendra married Christopher Buckingham in 2010 at Silver Falls State Park. Today, they live in SE Portland with their son Oliver and dog Edie. Kendra is active in the art community; she’s part of a painting collaborative, an adjunct art professor at Portland State University, a volunteer at Disjecta Art Center, a committee member at Regional Arts and Culture Council, and a board member of Orlo, a non-profit that publishes Bear Deluxe Magazine.

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