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Lotus Land (part 1)-----lotuses with a dragonfly Painting

Wong Tszmei

China

Painting, Watercolor on Paper

Size: 13.5 W x 18 H x 0.1 D in

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About The Artwork

After Eastern Han Dynasty when Buddhism began to disseminate in China,lotus,taken as the devine flower representing Heaven and symbolizing purity,had become the main theme of many decorations and the motif of paintings.Therefore an artwork with such theme embodies the desirable Pure Land for our bodies and minds to experience the absolute liberties to free ourselves from all the vexations of this mortal world. In this painting,the lotus flowers in full blossom is executed in washes of ink and colour without outlines presenting the charms of a free-hand painting and the implication of the noble moral integrity of “Emerging unstained from the fifth”.Such qualities of extraordinary beauty and grace can only be expressed after careful observation of the subject and the distinctive technique to coalesce the traditional expressive power of brush of Chinese painting with the westernized visual aspect of depicting volume,light,shadow and texture. As for the setting,the billowing mists and clouds seem entirely detached from earth;and the whole compostion appears to be in a state of perpetual motion and change,while the static dragonfly landing at the rim of a lotus leaf is set off as an amusing contrast.This painting has a dream-like quality of the divine fairy realms which maybe is the aspirational place of many people.

Details & Dimensions

Painting:Watercolor on Paper

Original:One-of-a-kind Artwork

Size:13.5 W x 18 H x 0.1 D in

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Wong Tsz Mei's interest in painting started at her childhood.She was born in Hong Kong,and in 1997 completed a Master of Arts on the art history of antiquitiesat Tsinghua University of China.She participated in many exhibition and expositions in H.K. and China,and was awarded certificates of merit several times.Her natural enthusiasm for art reveals an ability to let others know how to appreciate arts and even to create it.She is both an artist and an instructor.Chinese painting is fundamentally a linear art.Thus,the dexterous manipulation of the brushwork for precise expression is an essential prerequisite.I'm a contemporary painter,though the vital tradition is the underlying theme,would adopt an approach in a more structural form;the emphasis of spatial position,visual shape of content are placed in a work of art.My paintings show how intensely I grappled with the different perceptions to transform artifice entirely into nature and nature entirely into art.

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