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White Anarkali Painting
United Kingdom
Painting, Acrylic on Other
Size: 20.1 W x 29.9 H x 0.2 D in
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About The Artwork
Young Indian woman wearing a White Anarkali dress. This was inspired by a trip to India particularly Rajastan and Uttar Pradesh. I work in acrylic because it allows me to experiment, making changes quickly is paramount when wishing to explore my options. I apply the acrylic in successive washes to achieve a soft structure and then overpaint some areas with a more opaque use of the pigments. I use artists hogs hair brushes to apply and manipulate the paint with large 3" brushes to spread the washes and break up the linework. The work is painted on a Superior Rolled Canvas board as I like the rigidity and fine surface, plus the longevity and resistance to damage has a proven record. Finished with a coat of Winsor & Newton Satin UV varnish, this not only protects the painting, but has a unifying effect. A suggested frame width of at least 60mm or more for this size painting. See Indian paintings YouTube video https://youtu.be/i6BURMIF7ng
Details & Dimensions
Painting:Acrylic on Other
Original:One-of-a-kind Artwork
Size:20.1 W x 29.9 H x 0.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Born in Gloucester and living and working in Cheltenham UK. I like to work in acrylic because it allows me to experiment, making changes quickly is paramount when wishing to explore your options. I suspect like most figurative artists I find drawing and painting the human form wholly embedded with human behaviour. The desire to secure more than a representation of a persons movement, the spilling of light over contours or the various other physical facets is the reason we continue to make paintings. To recast emotions in texture, colour and pattern and to make it still, perhaps this is a measure of a successful painting. I have sold work around the world, to individuals and organisations and have produced award winning public art (usually with a colleague) for various institutions.
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