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technical details: acrylic, paper, gouache, sand on canvas. It hangs on the wall with hangers. The work has a certificate of authenticity on the back. "This work means an important moment in my work, both from the point of view of freedom of expression plastic and formal, both from the point of view of material language used. Freedom of communication that I have acquired over the period of the process consists in going beyond any rules of painting, without inquadrarmi defined in any current plastic recognizable. My-won freedom it gives me the opportunity to move between the figurative and the abstract, between the gestural and informal, between quotations and surrealism using elements not to confirm a rule already exists, but to express, to communicate a state of mind and an idea in perfect harmony, beyond any convention. Summon, within the dynamic and dialectical process of "metamorphosis" refers to mental evocation, how could it be a memory, a deep thought, a projection into the future or, as in this picture, the image of a symbolic character, full of positivity, "The man who brings the rain," flattered myth of prosperity and protection, freshness and joy. Content lyrical, poetic, almost abstract atmosphere. I mean Summon even at the level of matter, using, in addition acrylics, silkscreen, water and oil, evocative materials such as paper and newspaper. Using the newspaper, removing its first layer and leaving the second, mirrored, to suggest the idea of writing without reading it, but alluderla only. In this work in layers I pulled out the white outline of the character by digging into the layer material and so finding traces of the initial shape designed. The pleasure of using materials and gestures to draw, dig, I decided to create thickness comes from my roots as an engraver, when the aggression of metal, wood, stone lithography, brought with him a passion and respect for the materials. The use of color is essential, because, for me, the world exists only in color, and what I want to communicate is the energy and vitality in a dynamic form.
technical details: acrylic, paper, gouache, sand on canvas. It hangs on the wall with hangers. The work has a certificate of authenticity on the back. "This work means an important moment in my work, both from the point of view of freedom of expression plastic and formal, both from the point of view of material language used. Freedom of communication that I have acquired over the period of the process consists in going beyond any rules of painting, without inquadrarmi defined in any current plastic recognizable. My-won freedom it gives me the opportunity to move between the figurative and the abstract, between the gestural and informal, between quotations and surrealism using elements not to confirm a rule already exists, but to express, to communicate a state of mind and an idea in perfect harmony, beyond any convention. Summon, within the dynamic and dialectical process of "metamorphosis" refers to mental evocation, how could it be a memory, a deep thought, a projection into the future or, as in this picture, the image of a symbolic character, full of positivity, "The man who brings the rain," flattered myth of prosperity and protection, freshness and joy. Content lyrical, poetic, almost abstract atmosphere. I mean Summon even at the level of matter, using, in addition acrylics, silkscreen, water and oil, evocative materials such as paper and newspaper. Using the newspaper, removing its first layer and leaving the second, mirrored, to suggest the idea of writing without reading it, but alluderla only. In this work in layers I pulled out the white outline of the character by digging into the layer material and so finding traces of the initial shape designed. The pleasure of using materials and gestures to draw, dig, I decided to create thickness comes from my roots as an engraver, when the aggression of metal, wood, stone lithography, brought with him a passion and respect for the materials. The use of color is essential, because, for me, the world exists only in color, and what I want to communicate is the energy and vitality in a dynamic form.
technical details: acrylic, paper, gouache, sand on canvas. It hangs on the wall with hangers. The work has a certificate of authenticity on the back. "This work means an important moment in my work, both from the point of view of freedom of expression plastic and formal, both from the point of view of material language used. Freedom of communication that I have acquired over the period of the process consists in going beyond any rules of painting, without inquadrarmi defined in any current plastic recognizable. My-won freedom it gives me the opportunity to move between the figurative and the abstract, between the gestural and informal, between quotations and surrealism using elements not to confirm a rule already exists, but to express, to communicate a state of mind and an idea in perfect harmony, beyond any convention. Summon, within the dynamic and dialectical process of "metamorphosis" refers to mental evocation, how could it be a memory, a deep thought, a projection into the future or, as in this picture, the image of a symbolic character, full of positivity, "The man who brings the rain," flattered myth of prosperity and protection, freshness and joy. Content lyrical, poetic, almost abstract atmosphere. I mean Summon even at the level of matter, using, in addition acrylics, silkscreen, water and oil, evocative materials such as paper and newspaper. Using the newspaper, removing its first layer and leaving the second, mirrored, to suggest the idea of writing without reading it, but alluderla only. In this work in layers I pulled out the white outline of the character by digging into the layer material and so finding traces of the initial shape designed. The pleasure of using materials and gestures to draw, dig, I decided to create thickness comes from my roots as an engraver, when the aggression of metal, wood, stone lithography, brought with him a passion and respect for the materials. The use of color is essential, because, for me, the world exists only in color, and what I want to communicate is the energy and vitality in a dynamic form.
technical details: acrylic, paper, gouache, sand on canvas. It hangs on the wall with hangers. The work has a certificate of authenticity on the back. "This work means an important moment in my work, both from the point of view of freedom of expression plastic and formal, both from the point of view of material language used. Freedom of communication that I have acquired over the period of the process consists in going beyond any rules of painting, without inquadrarmi defined in any current plastic recognizable. My-won freedom it gives me the opportunity to move between the figurative and the abstract, between the gestural and informal, between quotations and surrealism using elements not to confirm a rule already exists, but to express, to communicate a state of mind and an idea in perfect harmony, beyond any convention. Summon, within the dynamic and dialectical process of "metamorphosis" refers to mental evocation, how could it be a memory, a deep thought, a projection into the future or, as in this picture, the image of a symbolic character, full of positivity, "The man who brings the rain," flattered myth of prosperity and protection, freshness and joy. Content lyrical, poetic, almost abstract atmosphere. I mean Summon even at the level of matter, using, in addition acrylics, silkscreen, water and oil, evocative materials such as paper and newspaper. Using the newspaper, removing its first layer and leaving the second, mirrored, to suggest the idea of writing without reading it, but alluderla only. In this work in layers I pulled out the white outline of the character by digging into the layer material and so finding traces of the initial shape designed. The pleasure of using materials and gestures to draw, dig, I decided to create thickness comes from my roots as an engraver, when the aggression of metal, wood, stone lithography, brought with him a passion and respect for the materials. The use of color is essential, because, for me, the world exists only in color, and what I want to communicate is the energy and vitality in a dynamic form.
The work has participated in various exhibitions in Italy.
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evo-cation XLVIII - "The orchestra conductor" Painting

Luminita Taranu

Italy

Painting, Acrylic on Canvas

Size: 47.2 W x 63 H x 2 D in

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About The Artwork

technical details: acrylic, paper, gouache, sand on canvas. It hangs on the wall with hangers. The work has a certificate of authenticity on the back. "This work means an important moment in my work, both from the point of view of freedom of expression plastic and formal, both from the point of view of material language used. Freedom of communication that I have acquired over the period of the process consists in going beyond any rules of painting, without inquadrarmi defined in any current plastic recognizable. My-won freedom it gives me the opportunity to move between the figurative and the abstract, between the gestural and informal, between quotations and surrealism using elements not to confirm a rule already exists, but to express, to communicate a state of mind and an idea in perfect harmony, beyond any convention. Summon, within the dynamic and dialectical process of "metamorphosis" refers to mental evocation, how could it be a memory, a deep thought, a projection into the future or, as in this picture, the image of a symbolic character, full of positivity, "The man who brings the rain," flattered myth of prosperity and protection, freshness and joy. Content lyrical, poetic, almost abstract atmosphere. I mean Summon even at the level of matter, using, in addition acrylics, silkscreen, water and oil, evocative materials such as paper and newspaper. Using the newspaper, removing its first layer and leaving the second, mirrored, to suggest the idea of writing without reading it, but alluderla only. In this work in layers I pulled out the white outline of the character by digging into the layer material and so finding traces of the initial shape designed. The pleasure of using materials and gestures to draw, dig, I decided to create thickness comes from my roots as an engraver, when the aggression of metal, wood, stone lithography, brought with him a passion and respect for the materials. The use of color is essential, because, for me, the world exists only in color, and what I want to communicate is the energy and vitality in a dynamic form.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:47.2 W x 63 H x 2 D in

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Born in Lugoj, Romania. Established in Italy since 1987, where he lives and works. Awards received: in 1987 she was awarded a National Prize of Romanian Visual Artists Union for drawing, engraving and lithography. 1996 won a silver plate for work SUPERSLIDE 29at the 23° Sulmona Prize International Contemporary Art Competition, Diocesan Civic Museum, Sulmona (AQ), Abruzzo; 2012 she received the Art Critics’ Special Mention for her pictorial installation Metaphor: Central Group Y + Central Detail + Lower Detail at the Lìmen International Art Competition held at the Enrico Gagliardi Museum in Vibo Valentia, Calabria; 2013 her project COWMAN of the World - was selected through competition and has participated at the inaugural Opening of the New Science Museum MUSE in Trento, designed by Archistar Renzo Piano. He participated with two digital installations and drawing performance. June 22, 2018 he was awarded the "Excellency Award" of the Romanian Government "100 for Centenary" (10 for Italy), held at Romanian Academy in Rome, for his artistic work made in Italy. Conferred by MPRP. 2020 - She was awarded the Special Prize for the Foreign Artist at 47°Sulmona Prize International Contemporary Art for the work PICTA MANENT 2020. Diocesan Civic Museum Sulmona (Aquila), Abruzzo. Works present in museums collection: MAGI ‘900 Museum of Italian Generations of '900, Pieve di Cento (Bologna) Scuderie Aldobrandini City Museum, Frascati (Rome) Museum Contemporary Art TEORA city Permanent Collection Center for Research, Documentation and Promotion Constantin Brancusi, Targu Jiu (Romania) Museum of History and Contemporary Art in Blaj, Romania National Library of San Nilo Abbey, Grottaferrata (Roma) Museum of the House of Dante Alighieri Foundation, Torre de’ Passeri (Abruzzo). Private collection: Italy, SUA. They wrote about his work modern and contemporary art critics: Mario de Candia, Giorgio Di Genova, Alessandro Masi, Alberto Dambruoso, Simonetta Lux, Grigore Arbore Popescu, Barbara Martusciello, Arnaldo Romani Brizzi, Ivana D'Agostino, Cinzia Folcarelli, Stefania Severi, Federica Di Castro, Adrian Guța The connecting thread of Ţăranu’s artistic development is metamorphosis, which also becomes a working method and a research method for conceptual and structural transformation in both graphic and pictorial form and in the construction of mega-objectual and digital installations.

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