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Anegundi, India. (140x203cm) Photograph - Limited Edition of 5

Tom Hanslien

United Kingdom

Photography, Color on Paper

Size: 80 W x 55 H x 0 D in

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$6,473USD

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About The Artwork

Cycling around in the Hampi area I came upon this very tranquil scene of a woman crossing a field near Anegundi. As I took the photo I instantly knew this would be one of my favorite images from my around the world travels. It's beautifully Giclée printed on Hahnemuhle Photo Rag paper with an illustrative/ painted feel. The size of the print includes a white border to accommodate mounting, and also title and signature. Actual image size is (w)198.1 x (h)132.1 cm. Technology: Epson UltraChrome HDR Wide Gamut Inks with archival life expectancy: 40 years daylight, 200 years in dark. All prints are professionally printed to ensure the absolute best quality and consistency. I pride myself in strict quality control, hence I only use top professional printers based here in London, that I am content use very strict colour consistency checks and use the very best of printing techniques available. This of course greatly increases production costs, but give me and my customers the peace of mind that I deliver a supreme quality artwork.

Details & Dimensions

Photography:Color on Paper

Artist Produced Limited Edition of:5

Size:80 W x 55 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a freelance photographer based in London. I enjoy a big love for travelling, which not only takes me around the world – with many great new images as a result – it's also a continuing source of inspiration which influences and feeds my passion for photography. With a background that started with drawing and illustration, which in turn lead to graphic design I believe the foundation of the way I compose my captures is very much affected by this. I often look for very graphic compositions with strong lines, large areas of strong colour, negative space and pushing the boundaries of traditional rules of composition. There is also a different approach to the way I like capturing my images when it comes to more travel reportage images. Still looking to isolate my subject, either by using shallow focus, leading lines, concentrating of light, picking out splashes of colour, and other techniques. Most images are very much as a spectator, fly on the wall if you like - I generally don't like posed images. I feel I get a truer picture when I don't interfere, but also I'm not hiding in the distance with a tele-lens - I like to be close to my subjects in plain sight.

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