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Black 24 Photograph

June madinjune

United Kingdom

Photography, Digital on Other

Size: 20.9 W x 16.5 H x 0.1 D in

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About The Artwork

Plateform Boat paper wreck. June extends his practice in his « Showroon 3D » (www.madinjune.com) exploited as a timeless artistic territory. As a real little virtual museum, this 3D world is composed by thematic platforms referring to the artist’s whole art production. The visitor gets around sliding from place to place within a false voluptuousness sensation, typical in the artist’s aesthetic, intensified by the musical arrangement composed in collaboration with DJ OGW. It’s interesting to notice in his process that photography is a way to express himself within his production, or a closure of his artistic approach. The photography series, proposed here, develop this second thought. Those screenshots of “Showroom 3D” testify the artist’s journey in his own virtual world, building these images in the real. So, they are part of the artist production as full-fledged constitutions playing with the limits of this universe. They confront this post-apocalyptic aesthetic with the timeless notion of memory, a memory of an artistic territory which changes as the artist evolves. At this stage, these pictures shall take place in the Showroom 3D, producing an unfathomable echo. 2011, screenshot, inkjet print dibon, 42 x 53 cm.

Details & Dimensions

Photography:Digital on Other

Original:One-of-a-kind Artwork

Size:20.9 W x 16.5 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

From little boats grounded in sand or oil, to crumpled vehicle passing by burning lotus flowers, June's art works are always marked by contained violence, as if they were slidging down a wire stretched across a fictive space that is beyond time. Patterns from our collective memory are used by the artist to compose his own symbols and inspire these works and plunge us into an often post-adventitious world. Accident represents essentially a break in everyday life. June exploits it as a tool which allows him to climb out of our temporality. He casts in his work a terribly human vision, even though positive, without condemnation, in opposition with our contemporary society often described as "disenchanted". Cut and folded Plexiglas, jagged wood, burned papers... The destruction resulting from accident is part of the creative process. Whatever technique he chooses (drawing, sculpture, photography, 3D), June plays with the material properties that he disciplines in clean and crisp lines. He reveals the quality of the material as an essential element of his art, a fragility either apparent or assumed. It contributes to his set of graphics based on paradoxes, offering a truly visual poem.

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