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Dive - (MEDIUM of 3 sizes) Photograph

Jamie McCartney

United Kingdom

Photography, C-type on Paper

Size: 70.9 W x 35.4 H x 0.2 D in

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About The Artwork

This photograph comes in three sizes. Please enquire if you prefer one of the other prints listed below. They are supplied acrylic face-mounted, ready to hang on the wall, eliminating the need for framing. Please see below for more information on the benefits. If however you prefer to buy just the unmounted print only, please enquire about those prices. Material: Acrylic Face-mounted Fuji Pearl archival C-type Photograph Large size: £4800 Edition of 3 cm: 180w x 90h inches: 71w x 36h Medium size: £2480 Edition of 7 cm: 122w x 61h inches: 48w x 24h Small size: £940 Edition of 11 cm: 61w x 30h inches: 24w x 12h From the Physical Photography series. Stephen is a lean, athletic man and I wanted to demonstrate this by trying to create a sense of movement in this action pose. Diving is certainly a powerful movement but it is hard to convey it, especially when the model is not moving and is in fact static for over an hour whilst the individual panes of the image are created. To give that sense of motion I took many images that overlap in a busy, jumbled way but also seem to sequence the body as it passes through space like a series of animation frames. I also introduced external lighting to create the slight ghosting effect. 1. Series selected for Saatchi Cinematic Photography collection: http://tinyurl.com/Saatchi-curator-Bridget-Carron 2. Series selected by Saatchi curator Sheyi Bankale: http://tinyurl.com/Saatchi-curator-Sheyi-Bankale Acrylic Face-mounting Presentation Explained: These photographs are printed using an archival C-type process on Fuji’s premium Pearl paper, which reflects light back through the pigments and resembles the screen images more closely than any other printing process. Similar to a metallic paper, it gives the skin tones a lustrous sheen and the colours are luminous and vibrant. They are presented using the classic acrylic face-mounting process where the print is sandwiched between a high-gloss, clear acrylic sheet, and an aluminium backing plate. The refraction of light through the acrylic sheet gives a high definition effect and brilliant colour, with stunning flawless results that will last for many years. The finished piece is supplied ready to hang on the wall, eliminating the need for a picture frame and is now widely used for photographic work in galleries and museums. It is roughly equivalent in price to traditional glass and wood framing but is much more contemporary and prevents the double reflections caused by the glass and the print. They are also easily transportable with much less packing required than glass framed prints. This is my preference for how these images should be displayed and all galleries show them this way. If however you prefer to buy just the unmounted print please enquire about those prices. All prints come with a signed, numbered and stamped certificate of authenticity. Physical Photography Explained: These photographic portraits explore beauty, sexuality and our humanity. Many have a narrative and incorporate sexual imagery or religious symbolism. My particular style I achieve by dispensing with traditional methods, instead using a modified scanner as my camera. This technique creates very high-resolution images of hair, skin and clothing but with a sensitive and painterly style, taking photography in its literal sense of ‘painting with light’. From single shots to collages of many images that can take hours to shoot it is a very physical and emphatically collaborative process. The results have a unique, ethereal quality, reminiscent of old master paintings but with a very contemporary treatment. The slight abstraction caused by the flattening of some areas of flesh and the slightly varying angles for each frame give these photos their distinct look and add to their rather alluring mystique.

Details & Dimensions

Photography:C-type on Paper

Original:One-of-a-kind Artwork

Size:70.9 W x 35.4 H x 0.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My artworks demonstrate a career-long commitment to experimentation. Often taking the body as inspiration I work with traditional and novel materials using many of my own processes. Not content with simply making beautiful things, there is often a socio-political agenda in my work, a result of my life as an activist as a young man. I am a committed career artist who has been working continually since graduating from art school in 1991. Now working from my studios in Brighton and Florida, I'm obsessively exploring my interest in the human condition. I'm fascinated by the power of emotionally loaded objects and how to lend that power to my artworks. I'm interested in reprographic processes, dovetailing casting and experimental photography into my working practice. I also like to use humour to break down barriers and encourage public engagement with tricky subjects. No subject is too taboo. When I find something that obsesses me I have to pick at that thread until I can tease out what I am trying to say. I'm no stranger to controversy. I am concentrating at the moment of figurative works in bronze, steel, resins and animal hides as well as experimental photographic portraits. I also continue to work on my Objets d'Aft series in which whimsy and nonsense are the driving factors behind these altered found objects. In development as well are a series of large, long outcome assemblage projects that will see fruition in the next few years. My 2012 solo exhibition on Cork Street featured over forty pieces focusing on beauty and society's obsession with the physical self. Here I debuted The Great Wall of Vagina sculpture. It next went on display at the Triennale Design Museum in Milan. I also launched my Physical Photography series of experimental, photographic, portrait collages. These unusual, beautiful portraits focus on personal expressions of sensuality and sexuality within the confines of societal and religious expectations and pressures. Choosing to largely self-represent due to my high public profile, I have clients such as The Royal Family of Liechtenstein, flying me around the world to complete personal or site-specific artworks. What fun! Numerous appearances by me and my work in the press, in books and on TV & radio around the world have done much to boost my public profile, giving me the opportunity to spread my philosophy to a wide audience and engage with the public far from my local area.

Artist Recognition

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