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Milano Portanuova # 13, Series Biocities Two, Limited edition of 3, copy 3 of 3 Photograph

Carlo Dorta

Italy

Photography, Digital on Plastic

Size: 59.1 W x 41.3 H x 0.8 D in

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About The Artwork

BIOCITIES TWO. In this project I transform - by means of unusual shooting perspectives and zoom depth compression – contemporary architectural landscapes in abstract geometries. I also use the images of this series to make another project, entitled “(De)Compositions”. In this second project the photograph on the wall communicates with installations in plexiglass and glass sculptures made with the same geometric peaces that appear in the photograph. This research has a double conceptual value. It is a metaphor of man's ability to change the environment. And it is also metaphor of trasformation of each one personality by decomposition and recomposition of our emotions and experiences. Web Site www.carlodortaarte.it

Details & Dimensions

Photography:Digital on Plastic

Artist Produced Limited Edition of:3

Size:59.1 W x 41.3 H x 0.8 D in

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Carlo D'Orta (Italy, 1955). Art Photography. Art Studio in Rome, Piazza Crati 14, 00199. www.carlodortaarte.it/en/ He has pursued his passion for photography for 40 years. He attended advanced painting classes at the Rome University of Fine Arts (RUFA) and a Master in Photography at the European Institut of Design (IED) in Milan, and devoted himself to the study of contemporary art. As a result, his photographic perspective undergoes a radical change. He abandons the documentary approach and try shots that tend towards abstraction, or tinged with a metaphysical/surrealist vision. The color sensitivity gained during the training gives to his photographs a strong painting characterization, sometimes because of limited interventions in post-production on lights and colors. He favors Architecture - focusing on de-contextualization of the details and the deformation produced by the reflection - and Dance. To the Architecture he dedicates first series "Berlin: White, Grey, Light" and "Vibrations" (in which it is clear the influence of futuristic vision), and later, from 2012, the series "Biocities" and "Geometries Still Life "(where instead there is a strong reminiscence of Cubism, Constructivism and moving color fields). In 2013 also starts the series "(Re)FineArt" aiming at a metaphysical vision of the architecture of large industrial complexes and whose title is a deliberate and provocative pun, combining the concept of art with that of one of the productions polluting what it is refining. To the Dance he approaches instead during his experience, from 2012, as component of the Board of National Academy of Dance. Born here the photographic series "Liquidance", where the focus is also often directed at particular decontextualized, shadows, vibration movement. In the last two years his research knows more strong evolutions arriving to the series titled "(De)Compositions". Here D'Orta, thanks to the shoot position and zoom, realise a strong compression of perspective and transformed landscapes of contemporary architecture in abstract geometries in which three-dimensional depth disappears. But then, using the geometric fragments that make up these photographs, she creates installations in plexiglass and glass sculptures in which recovers, but in a new way, the three-dimensionality of the original architecture.

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