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Puertas al paraíso - Limited Edition 1 of 16 Photograph

Marina Morris Uruchurtu

Mexico

Photography, Color on Canvas

Size: 24 W x 24 H x 1 D in

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About The Artwork

The church of Santo Domingo in all its splendour, with the terrace perfectly delineated by the horizon of mountains and an infinite sky bordered outside by the doors of the city’s cathedral in their glorious beauty. Inside, the heaven, purgatory and hell that this beautiful city lives on a daily basis. Its social integration teeters between its multiple indigenous languages and the political revolutions that flare up in order to keep moving. Name: Puertas al Paraíso. Author: Marina Morris Uruchurtu. Technique: Digital composition from large angle shots. Location: Oaxaca, Mexico. Date of original photographs: October 2015. Date of composition: 2016

Details & Dimensions

Photography:Color on Canvas

Artist Produced Limited Edition of:1

Size:24 W x 24 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

In my story, my first wide-angle lens was integrated into my photographic equipment at the turn of the century, in 2001. This started my collection of Postales Circulares (Circular postcards) that fluctuate around the circular. The “fisheye” or wide-angle lens has been called a different view of the world. To be able to capture ancient places and change them through a different way of looking that makes them look like a place never seen before excepting by my lens and me. My call to analogue photography began at age 11 when my grandmother gave me a camera. My quest began with the aim of taking well-framed photos with good illumination. During my visits to different countries my photos were always like the postcards sold in tourist stands. On returning to Mexico on analysing my photos, I felt dissatisfied with producing such a classic style. How can one change the view of the same scene without changing the everyday process of development or printing? The technique shouted at me and I obtain my first wide-angle lens. The digital age then penetrated my work and the wide-angle lens became the nourishment to discover my own style. Now, as a result of technical advances, I do not just capture the origin of my “postales” (postcards) in a different style, but my work develops from the circle that through the passage of time also reveals the importance of it’s artistic meaning, that exceeds the symbolic ambit to explain the impact of the images that I express through my gaze.

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