VIEW IN MY ROOM
United Kingdom
Printmaking, Giclée on Wood
Size: 88.6 W x 59.1 H x 1.6 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
Image transfer technique based on acrylics and print on panel.The imagery deals with the constant change in environment brought on by human existence. The images are from my travels to New York and Finland.
Original Created:2010
Subjects:Architecture
Multi-paneled Printmaking:Giclée on Wood
Original:One-of-a-kind Artwork
Size:88.6 W x 59.1 H x 1.6 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
My work focuses on the impact the economic and political climate has on our urban and natural surroundings. Cities and nature expand and shrink, through war, natural disasters and loss of cultures. More and more though cities and nature are being treated as currency in an explosive market for natural resources or real estate value, disregarding its inhabitants. Refugee camps are turning into new (temporal) cities, cities are being gentrified and nature is still disappearing at an alarming rate. Fred Robeson is a fictional character developed by Jeroen van Dooren Jeroen van Dooren’s work and research focus on contemporary notions of subjectivity, performativity and the role of the contemporary artist. Through fictional writing he creates characters which he develops into contemporary artists with each their own style of working How does the adaptation of the literary concept of the heteronym from fictional writing to contemporary art practice affect the artist’s identity and resulting narratives? What does it mean to create and embody a fictional artist who is separate from the self and how does this alter our perceptions of selfhood? In my work I bring together the literary concept of the heteronym, contemporary art, fictional writing and the relation between the self and other, originating from a personal experience of mental health issues relating to divided subjectivities. Autobiografictional characters are invented, their personas are assumed, and artworks are produced according to their own separate voices and ways of being. Making work as the fictional personas, these characters come alive via performances, text and audio pieces. The fictional characters are not there as a tool for hiding or for masking but are used as an instrument to investigate character development and the potential for multiple artistic personas within contemporary art. Currently he is working with the following heteronyms: Alain Borde, Alain Borde Foundation, Aoibheann de Brún, Christiaan van Nuland, Fred Robeson, Jane Porter, Jeroen van Dooren, Karl Kuznetsov also known as Carl Smith, Kees van Lankveld, Kim Lee, Lana Robeson, Pasithea Knijnt, Tom Singer and Will Finch.
Artist featured by Saatchi Art in a collection
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