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The oil-terminal at Dissension Sculpture

Drager Meurtant

Netherlands

Sculpture, Fiberglass on Aluminium

Size: 22.8 W x 30.7 H x 3.5 D in

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About The Artwork

The Oil-terminal at Dissension: / After one village / a second was build / and as so often / these were two communities / in their belief. / After peevishness / came quarrel / and this raised high / a full five meters. / The arrival of the oil-terminal / changed little / except more fencing. // The bridge does not unite inhabitants / but enables them / to continue on different paths. (recycling material used to express the artist's view on society)

Details & Dimensions

Sculpture:Fiberglass on Aluminium

Original:One-of-a-kind Artwork

Size:22.8 W x 30.7 H x 3.5 D in

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Drager Meurtant (1951) decided to also be an artist (autodidact) in later life. Creations include poems, sculptures-assemblages-collages-paintings-graphics. Assemblages and collages are a central medium: both man-made material as well as that supplied by nature (wood, stone) are used in my artworks, including discarded and found objects, with an eye for surreal meaning. Looking at structures, compositions, during the process of creation, I follow the appearence that gradually surfaces, while not keeping to a simple suit of illusions. The place of humans in society, in our world, increasingly is examined and translated into art. Many artists inspire, such as David Smith, Robert Rauschenberg, Louise Bourgeois, Joan Miro, Maria Helena Vieira da Silva. Member of the International Society of Assemblage and Collage Artists, European Sculpture Network. Supporter of Fossil free.

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