Oakland, United States
About John Casey
Born on Friday the 13th in 1964 in Salem, Massachusetts, John Casey has been inventing creatures as soon as he was able to hold a crayon. Drawings that his mother saved from when he was only three years old reveal an obsession with the figure. The figures in these drawings show not only the distorted perceptions of a child, but a fascination with skulls, teeth, spirographic eyes, and invented body parts. This obsession with strange creatures continued throughout his youth. "Monster models, war dioramas, dinosaurs, and horror movies on the T.V. [this included "Creature Double Feature" on Saturday afternoons, of course] occupied much of my time."
John graduated from the Massachusetts College of Art in Boston in 1988 with a BFA in Painting. Several years ago he relocated to Oakland, California with his lovely wife Mary. His work has been exhibited at the DeCordova Museum in Lincoln, MA, and Bay Area venues such as 111 Minna Gallery, National Product, Low Gallery, Red Ink Studios, 33 Grand, Boontling Gallery.
John Casey is obsessed with fictitious human morphology, which he explores in his sculptures and ink drawings. At first glance, Casey's small-scale sculpture and detailed line drawings seem to portray a menagerie of deformed creatures. A collective analysis reveals this array of oddball creations to be a series of psychological studies self-portraits of the artist's inner psyche in all of its multifaceted incarnations. Some sad, some horrific, and some whimsical, these characters evoke responses from laughter and sympathy to disgust and discomfort. While one might call Casey's work the exorcising of inner demons, his creations inspire more empathy than they do loathing. By depicting the grotesque as pitiable, John Casey illuminates the darkest corners of the mind, seeking redemption for all of us.
"My creatures are called monsters by some, but I often feel that the connotations associated with 'monster' don't always apply to these little guys unless one can add descriptors like 'vulnerable' and 'fragile' to the definition of monster. Maybe I have issue with the monster moniker because I see my critters as self-portraits. Nick Capasso, director of the DeCordova Museum, once referred to my work as 'little exorcisms' and I like that description. The idea that I expel my inner demons in the form of drawn, painted, or sculpted critters appeals to me."