David Myriam
David Myriam
Crest, France
About David Myriam
Through painting, writing, drawings on paper or with sand, I am looking sleek and meaningful forms, to the invention of a particular symbolism to touch each person.
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My creations mix critical analysis and raw emotion.
Warm colors surround the cold, angular shapes.
Life disturbs coercive human structures, hierarchical or destructive.
By the shapes and colors, I want to talk about the fight and the contrast between the forces of life and s and harmful human actions & constructions.
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This is to find a freedom, a naive sensibility, to see things from different angles, to highlight archetypes, vicious circles.
It also shows a questioning of violence and freedom, on the place of individuals (human and animal) in collective structures, on the way for move between anonymous monsters and machines.
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I use color not figuratively, as with the black and white I want to go to the essentials without the eyes can be hijacked by reassuring shapes.
This symbolic voluntary unreality aims to raise see and feel what concerns me.
I would like corrosive colors, such as acids that eat away and scour our eyes and the world to lay bare.
I would like radioactive ink to reveal our prisons, to mutate our visions.
Looking for a painting that burns ashes to release bright faults.
::
My creations mix critical analysis and raw emotion.
Warm colors surround the cold, angular shapes.
Life disturbs coercive human structures, hierarchical or destructive.
By the shapes and colors, I want to talk about the fight and the contrast between the forces of life and s and harmful human actions & constructions.
::
This is to find a freedom, a naive sensibility, to see things from different angles, to highlight archetypes, vicious circles.
It also shows a questioning of violence and freedom, on the place of individuals (human and animal) in collective structures, on the way for move between anonymous monsters and machines.
::
I use color not figuratively, as with the black and white I want to go to the essentials without the eyes can be hijacked by reassuring shapes.
This symbolic voluntary unreality aims to raise see and feel what concerns me.
I would like corrosive colors, such as acids that eat away and scour our eyes and the world to lay bare.
I would like radioactive ink to reveal our prisons, to mutate our visions.
Looking for a painting that burns ashes to release bright faults.
Events
:: Since 2005: lots of live sand painting performances (See http://tramage.com) for various events and live performances (festivals, concerts, theater, opera, corporate...), in lots of country, exemples: Unesco, Mozart Opera, Electrochoc, 104 Paris, Euroleague Basketball Paris, Lyon National Orchestra, Macau Arts Festival, Esplanade Singapore, Abu Dhabi, Dubai, China, Toroto, Morocco...
:: My last short film Midnight Blue is selected in lots of festivals: Interfilm Berlin, Washington, San Francisco, Ecollywood, Green Image Film Festival, Zebra Poetry, Des Courts en Hiver, Skepto, Hong Kong, Seoul...
:: My last short film Midnight Blue is selected in lots of festivals: Interfilm Berlin, Washington, San Francisco, Ecollywood, Green Image Film Festival, Zebra Poetry, Des Courts en Hiver, Skepto, Hong Kong, Seoul...
Exhibitions
October 2016: Crest, France
July 2015: Moirans, France
August 2012 :: Switzerland, Saint Imier "Espace Noir"
May 2012: video screening of drawings in Montgontier, France
September 2012: a drawing exhibited at the International Fair of Contemporary Art in Nîmes (competition), France
June 2011: video screening of drawings in festival ArtéFac, Perpignan, France
July 2015: Moirans, France
August 2012 :: Switzerland, Saint Imier "Espace Noir"
May 2012: video screening of drawings in Montgontier, France
September 2012: a drawing exhibited at the International Fair of Contemporary Art in Nîmes (competition), France
June 2011: video screening of drawings in festival ArtéFac, Perpignan, France
