This series of artworks is called "Tears and destinies". It was the first fear that I considered that I had to develop in a series from the consideration that many of the events that mark our lives deserve to be captured plastically in a artwork. The artist's life when he creates a work of art made me always concerned and I think this feeling is best rendered through organic forms. In a sculpture, the organic form can imitate existing forms in nature, but without copying them perfectly, it does not necessarily have to be a copy of reality, the visual language helps the viewer to mentally identify something similar in his knowledge. A composition that seeks the freedom of infinity.

Tears and destinies

This series of works is based on the inner struggle between good and evil that resides in each of us. There are moments in everyone's life when you realize that something is wrong, regardless of the factors that led you to that point, you realize the traces left in your soul. On a symbolic level, I don't think anything can convey this experience better plastically than the burning of wood, burning that must be seen as a chemical transformation of organic material, a purification by fire, a free burning I like to believe with the help of the divine. Compositionally, each work in this series presents one or more negative volumes, holes, which induce the idea of communication between parts of the same being.

The chemistry of the soul. Windows

On a conceptual level, this series of works talks about nature, an abstract vegetal geometry arranged in an open vertical composition, meant to suggest the strength, but also the tenderness of natural phenomena. The imaginary continuation of each edge of the work generates a network, a labyrinth of intersections and connections, intercommunication specific to the natural environment. This maze is created to trap the viewer in this imaginary canvas.

Dan Jula