l'Étranger 

2024

Tatyana

Rocaille's series of works were originally motivated by formal searches. I wanted to create some modern landscapes that had a clear reference to the classic French landscape from the time of Antoine Watteau. Hence, the name Rocaille is an appeal to the early 18th century and its aesthetics. Most of the works feature, in one way or another, the shape of an oval. In fact, it is a circle, but more aestheticized and refined.
The oval works with a torn canvas body are more conceptual. They talk about the inextricable connection to classical art and about the death of it as a medium in our era.


Rocaille

St.Petersburg

On paper 

Another forest.(2018)

Masha. Forest

Amalgame

I would not like to touch with words so nonverbal for me area of painting for two reasons.
Firstly, all those images of  space and colour harmony came to me from night fantasies. I didn’t define the goal  to explain them to me. I am an moderator artist, who lets things  runthrough myself. I am not a writer of publicist. I let into myself what  is wandering in the air today and I subdue it to my own aesthetics.

islamic-antique

Barbizon School works became a stock-list long time ago. But this exoticism is only by-form. 

Petersburg's Barbizon

A human figure to which too much sense, eroticism and personal attitude was tied as to an animal species has been withdrawn from the canvas.
Eroticism has gone to nature, air and color inspiring the viewer with primeval
and virgin images of animals. They make you improvise and fantasize.
Low  spectrum (diapason) of tone  (colors)  is soft and  pliable
for imagination. Thoughts are immersing and your personal story is emerging in
bright romantic and at the same time wistful  slowly
perceptible color relationship.

Fedora Akimova