
Los Angeles, California, United States
I am a Los Angeles–based artist working primarily in wood, translating the natural world into abstra...
About the artist
Joined In 2026
(3 Followers)

About the artist
Joined In 2026
(3 Followers)
I am a Los Angeles–based artist working primarily in wood, translating the natural world into abstract, minimalist forms through marquetry and sculptural relief. My work explores landscape, architecture, and organic structure, using natural hardwoods to create depth, rhythm, and quiet visual tension.
Rather than depicting nature literally, I reduce it to essential shapes and relationships. Mountains become planes, buildings become grids, and familiar forms dissolve into silhouette and structure. Grain, tone, and shadow replace color, allowing the material itself to define space and movement. The result is work that exists between representation and abstraction, grounded in restraint and clarity.
My practice is deeply informed by a 25-year background in musical instrument building. That discipline instilled a sensitivity to proportion, precision, and the emotional presence of finely made objects. The skills developed through shaping instruments now guide my approach to art, where balance, resonance, and material honesty remain central.
Each piece is built by hand, emphasizing craftsmanship, intention, and longevity. The work invites slow viewing and close attention, offering a quiet dialogue between nature, form, and material.
I am a self-taught artist. My education has come through years of independent study, close observation, and sustained hands-on practice rather than formal academic training. Working directly with materials has been central to my learning, allowing process, experimentation, and refinement to guide the work over time.
This path reflects a belief in making as a form of inquiry. Trial, error, and repetition have shaped both technique and perspective, fostering a deep understanding of structure, proportion, and material behavior. Influences are drawn from architecture, design, and the natural world, absorbed through experience rather than instruction.
While different paths lead to artistic fluency, mine has been rooted in craft, patience, and long-term engagement with the work itself. The studio has been both classroom and teacher.
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