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BLACK ORPHEUS Collage

alain clément

France

Collage, Paper on Paper

Size: 8.3 W x 11.5 H x 0.1 D in

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$510

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ABOUT THE ARTWORK

In memory of Marcel Camus, director of the film "Orfeu Negro", Palme d'Or in Cannes film festival (1959 ) and its sublime music. According to the legend, Orpheus, black in the film, manages, by his musical talents precisely, to snatch from Hades, god of hell the very beautiful Eurydice dead of a snake sting, against the promise never to turn back on her during the long journey to the world of the living, a promise he was unable to keep. This collage shows the heartbreaking farewells of Orpheus to Eurydice before she is once again plunged into the murky hells of Hades, symbolized here by an X-ray image, the interior of which is just as mysterious. Collage to frame between 2 glass plates to play on transparency, which could ideally reinforce a rear light source.

DETAILS AND DIMENSIONS
Collage:

Paper on Paper

Original:

One-of-a-kind Artwork

Size:

8.3 W x 11.5 H x 0.1 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Le Vigan, small town in the South of France. I studied at the Universty of Montpellier Pharmacy and Medecine. I owe to Marc Dautry, classic engraver and sculptor (Montauban), to have been very early initiated to the field of Art. Later I met the surrealist painter, Bernard Louedin (Trebeurden), and developped a passion for this movement. I live and work now in Haute-Savoie near Annecy (France) and Geneva (Switzerland). At first glance my activity as Dr in medical biology did not predispose me to the practice of collage and photomontage if not my passion for Art,photography, surrealism, specially Man Ray, Dora Maar, Lee Miller, Max Ernst, Magritte and Hannah Hoch. My meeting with Josephine Sacabo, american photographer, was decisive; she introduced me to this art, and incited me to "always shift forward the reality". And this the way each of my collages is inspired by transposing fragments of live, where feelings, fantasies, and personal concerns are mingled. Beyond the resear that each project involves (magazines of art or photography, newspapers, photos, advertisings), beyond the time splent for realizig the work, beyond aesthetic concerns, the final result often emerges from these contengencies, and escape from the original idea, to become another, only remains the sincerity.

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