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Dark grey wooden box frame included.
The Double Portrait Series

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Double Portrait with Object 4 Collage

Marian Williams

France

Collage, Acrylic on Canvas

Size: 11.8 W x 11.8 H x 0.2 D in

Ships in a Box

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Originally listed for $380

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ABOUT THE ARTWORK

Surreal composition from the 'Double Portrait with Object' series. The background portrait is a detail of an illustration of the painting 'Portrait de Gentilhomme' by Titien. The full body portraits is a cut out from a vintage magazine: Jardin des Modes, April 1960. The image of the fountain pen is also an authentic illustration from a vintage magazine. Mixed media composition on 30x30 cm canvas board. Acrylic paint, paper. Signed, varnished and delivered with a certificate of authenticity. Delivered with a dark grey wood box frame.

DETAILS AND DIMENSIONS
Collage:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

11.8 W x 11.8 H x 0.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Rotterdam in 1962, Marian Williams lives and works in France. Whilst recycling objects, authentic photos and original illustrations from vintage magazines and books, she creates dynamic, striking analog compositions in paint, collage and assemblage. Her work has been on show in France, England, Italy, Albania, the Netherlands, Serbia and in the USA.   The works, influenced by pop art, surrealism and dadaism, show originality and freshness, in which classical art, retro chic, and kitsch are combined in a challenging way. The artist's political engagement for the environment, women's rights, freedom and social justice, are recurring themes. Her story telling is sincere, expressed in various ways, sometimes minimalist, sometimes complex. 'When I was five years old I jumped in a bin at school to save schoolbooks from the 1950's which had been thrown away. Everything about these book was precious to me; the images, the letter type, the torn pages, the colours and the memories. They reflected the history of daily life gone by. They were art to me."

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