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Collage, Fabric on Soft (Yarn, Cotton, Fabric)
Size: 30.5 W x 35.6 H x 3.8 D cm
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I first Miguel Carrillo Montoya when I was a Fulbright Scholor in Mexico in 1992. The last time I saw my friend in 2014 he gave me a bracelet beaded with images of white deer and peyote. When I learned of his passing a few months later I made a yarn painting in his memory incorporating the beaded i...
2014
Collage, Fabric on Soft (Yarn, Cotton, Fabric)
One-of-a-kind Artwork
30.5 W x 35.6 H x 3.8 D cm
Not Applicable
Other
Certificate is Included
Ships in a Crate
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The interface between my interior self and the outside world is the uniting concept behind my recent work I began making yarn paintings in 1969 while still in High School. I thought I had invented the technique. In college at The Cooper Union I first kept yarn painting to myself. My professors preferred my drawings to my paintings. My painting professor, Jack Whitten, asked what we did during vacation. I volunteered that I'd spent the vacation working on a project, but it wasn't exactly painting. After visiting my studio Jack told me to stick to yarn and he would consider them paintings. Seeing a yarn painting at a Greenwich Village flea market I discovered that yarn painting was a traditional art form among the Wixarika (Huichol) people of Mexico. In 1992 I received a Fulbright Fellowship to travel to Mexico to meet fellow yarn painters and talk shop. Since my Fulbright I have maintained my relationship with fellow yarn painters both by returning to Mexico regularly and by hosting Wixarika artists in my home. I have also received Artist Fellowships from the National Endowment for the Arts, The Adolph and Esther Gottlieb Foundation, The New Jersey State Council on the Arts (twice) and the Ludwig Vogelstein Foundation.
Artist featured by Saatchi Art in a collection
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