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O abraço (the hug) Collage

Adelaide Morgado

Portugal

Collage, Watercolor on Paper

Size: 26 W x 30.3 H x 0 D in

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About The Artwork

The trilogy - watercolor | Decoupage | gilding - connects in "The hug". The narrative focuses on the affection between two children of different ages. The older one symbolizes protection, safety and strength. The other, smaller, represents tenderness, genuineness and happiness. Both complement each other, both forming a uniqueness that endures through memory, framed in gold. And because the moment is golden, the warm colors and the introduction of a noble material like Brad Kunkle's gowns and Kehinde Wiley's standards are valued. There is no doubt that the intensity of affection between the two children, and the dramatization of the scene leads the observer to perceive the intensity of the hug in another way. Face and eyes closed, body shriveled, the older child tenaciously holds the youngest against itself. The gesture imprisons a small, plump body, with a smiling face but dull, shaded. The farewell of childhood is thus crowned by a tear but tenderly remembered with a golden hug. 300 gsm Arches paper Sennelier Watercolour

Details & Dimensions

Collage:Watercolor on Paper

Original:One-of-a-kind Artwork

Size:26 W x 30.3 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Adelaide Morgado was born (n.1972) and studied in France. She currently lives in Aveiro, Portugal. She is currently studying Painting at the Faculty of Fine Arts in Porto. Body and facial language, expressiveness of gesture and color are the elements that give more strength to his work. Although she began painting with oil more than twenty-five years ago, watercolor is now the technique that is more versatile and better response to creative needs. His work is inspired by the strengths of Lita Cabellut and Nathan Ford's characters, Alberto Giacometti's sculptural constructions, Graham Dean's and Eric Lacombe's technique, and the merger of Kehinde Wiley's standards.

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