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Around this time, at the beginning of 2018, I was getting really into the idea of somehow letting the weather work its magic on my art. I like the look of my stickers decomposing on various London lampposts, after a year or so. Or the fading tombstones in Brompton cemetery, which I'd walked through every day on my way to work, in the run up to Christmas. 

So, I set up a big drawing on paper, A1 or A0 size maybe, with loads of my faces in red marker and layered it up with tracing paper. I left it propped up in the back garden and forgot about it for two weeks. Despite a couple of downpours, the picture remained frustratingly unblemished. I cut the picture up and left sections submerged in bicarbonate of soda-infused water for a week. I even tried bleach but decided that wasn't really a medium I wanted a prolonged relationship with. The change was still pretty meagre. This wasn't going to work. 

Instead of relying on nature, I started thinking about more immediate, man-made ways of destroying the image, of processing it like a machine would. I think using a shredder came to mind fairly quickly. I was wary of going too abstract too suddenly but, in the end, I just went with it and glued the strips back together as they fell.
Around this time, at the beginning of 2018, I was getting really into the idea of somehow letting the weather work its magic on my art. I like the look of my stickers decomposing on various London lampposts, after a year or so. Or the fading tombstones in Brompton cemetery, which I'd walked through every day on my way to work, in the run up to Christmas. 

So, I set up a big drawing on paper, A1 or A0 size maybe, with loads of my faces in red marker and layered it up with tracing paper. I left it propped up in the back garden and forgot about it for two weeks. Despite a couple of downpours, the picture remained frustratingly unblemished. I cut the picture up and left sections submerged in bicarbonate of soda-infused water for a week. I even tried bleach but decided that wasn't really a medium I wanted a prolonged relationship with. The change was still pretty meagre. This wasn't going to work. 

Instead of relying on nature, I started thinking about more immediate, man-made ways of destroying the image, of processing it like a machine would. I think using a shredder came to mind fairly quickly. I was wary of going too abstract too suddenly but, in the end, I just went with it and glued the strips back together as they fell.
Around this time, at the beginning of 2018, I was getting really into the idea of somehow letting the weather work its magic on my art. I like the look of my stickers decomposing on various London lampposts, after a year or so. Or the fading tombstones in Brompton cemetery, which I'd walked through every day on my way to work, in the run up to Christmas. 

So, I set up a big drawing on paper, A1 or A0 size maybe, with loads of my faces in red marker and layered it up with tracing paper. I left it propped up in the back garden and forgot about it for two weeks. Despite a couple of downpours, the picture remained frustratingly unblemished. I cut the picture up and left sections submerged in bicarbonate of soda-infused water for a week. I even tried bleach but decided that wasn't really a medium I wanted a prolonged relationship with. The change was still pretty meagre. This wasn't going to work. 

Instead of relying on nature, I started thinking about more immediate, man-made ways of destroying the image, of processing it like a machine would. I think using a shredder came to mind fairly quickly. I was wary of going too abstract too suddenly but, in the end, I just went with it and glued the strips back together as they fell.
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VIEW IN MY ROOM

Process 02 Collage

Nick Maroussas

United Kingdom

Collage, Paper on Paper

Size: 13 W x 18.5 H x 0 D in

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Originally listed for $415
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About The Artwork

Around this time, at the beginning of 2018, I was getting really into the idea of somehow letting the weather work its magic on my art. I like the look of my stickers decomposing on various London lampposts, after a year or so. Or the fading tombstones in Brompton cemetery, which I'd walked through every day on my way to work, in the run up to Christmas. So, I set up a big drawing on paper, A1 or A0 size maybe, with loads of my faces in red marker and layered it up with tracing paper. I left it propped up in the back garden and forgot about it for two weeks. Despite a couple of downpours, the picture remained frustratingly unblemished. I cut the picture up and left sections submerged in bicarbonate of soda-infused water for a week. I even tried bleach but decided that wasn't really a medium I wanted a prolonged relationship with. The change was still pretty meagre. This wasn't going to work. Instead of relying on nature, I started thinking about more immediate, man-made ways of destroying the image, of processing it like a machine would. I think using a shredder came to mind fairly quickly. I was wary of going too abstract too suddenly but, in the end, I just went with it and glued the strips back together as they fell.

Details & Dimensions

Collage:Paper on Paper

Original:One-of-a-kind Artwork

Size:13 W x 18.5 H x 0 D in

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I am a mixed-media artist based in London. My collages explore the boundaries between the man-made and nature, reanimating found materials, shapes and colours, often the by-products of design. New arrangements are constructed by assimilating inherited material and processing with a mechanical mindset. I believe these serendipitous compositions could hold some inherent value which might offer us a fleeting glimpse of our connection with the world.

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