639 Views
91
View In My Room
Collage, Paper on Paper
Size: 18 W x 23 H x 0.1 D in
Ships in a Box
639 Views
91
Artist Recognition
Featured in Rising Stars
Artist featured in a collection
ABOUT THE ARTWORK
Mixed Media- paper, sweat, saliva, dirt, marker, gel medium on merchant poster. from S.C.S. (Suprematism/Constructivism/Schematics) Series is a series exploring the interrelationship between contemporary visual cue, historic art movements & architectural structure. - Suprematism was an art movement, focused on basic geometric forms, such as circles, squares, lines, and rectangles, painted in a limited range of colors. - Constructivism was an artistic and architectural philosophy that originated in Russia beginning in 1913 by Vladimir Tatlin. This was a rejection of the idea of autonomous art. He wanted 'to construct' art. The movement was in favour of art as a practice for social purposes. - A Schematic, or schematic diagram, is a representation of the elements of a system using abstract, graphic symbols rather than realistic pictures. A schematic usually omits all details that are not relevant to the information the schematic is intended to convey, and may add unrealistic elements that aid comprehension Cody Bayne makes mixed-media works, which fall into the category of Neo-Urban Expressionism. He has been compared with key artists of the 20th century - Jasper Johns, Rauschenberg & Warhol due to how he creates work that establishes a relationship to contemporary culture by forging a new visual language. N.U.E. offers the opportunity for the sociocultural comment that lays at the intersection of Graffiti, Art Washing & the Contemporary Art by establishing a new urban vernacular that can also be referred to as Urban Informalism. Cody has been featured by Saatchi Art's Chief Curator for their most prestigious feature, Invest In Art series in 2016 He has shown in Los Angeles, Santa Monica, New York City, Toronto, Palm Springs, Miami, and Basel. Cody’s artwork has been curated into major exhibitions along side works by important artists, such as Robert Motherwell, Banksy, Shepard Fairey, Robert Rauschenburg and Murakami (to name a few). His work is in collections across the United States, Canada and Europe.
Original Created:
2016
Subjects:
DETAILS AND DIMENSIONS
Collage:
Paper on Paper
Original:
One-of-a-kind Artwork
Size:
18 W x 23 H x 0.1 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
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Cody Bayne
United States
Cody Bayne is an Artist based in Los Angeles. He has exhibited his work extensively across the United States, Canada, and Europe, and is known for his interdisciplinary approach to art-making. His practice encompasses painting, mixed media, sculpture, and new media, all of which he uses to explore themes of time, impermanence, identity, and place. Bayne's work is characterized by a personal visual language that creates intellectual and emotional connections with the viewer. He often uses materials sourced from various cities around the world to create a visual vernacular that is both familiar and foreign. His work is influenced by 20th-century art movements such as Nouveau Réalisme and Art Informel, and he has coined the terms Neo-Urban Expressionism and Urban Informalism as quantifiers for his physical practice. Bayne's artistic process involves "harvesting" information from the environment of the city and reassembling materials into compositions that reflect his interest in the beauty of flaws and the discarded. He balances formulaic parameters with action-oriented processes, and allows immediacy and accidental interventions to play a strong role in the making of his work. His artist hand is discernible in all his work, serving as a symbol of both humanity and the distressed conditions and environments that inspire him. Though Bayne does not intentionally approach his work through a filter of social commentary, he is keenly aware that the poetry of the metropolis leads to this conversation. His work is contemporary and academic, addressing impermanence, coded vernaculars, identity, and place. Through his art, Bayne strives to create a visual dialogue that transposes from walls, streets, and a personal language, and fosters a connection between contemporary art and cultural intersectionality.
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