VIEW IN MY ROOM
Collage, Ink on Canvas
Size: 12 W x 12 H x 1 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
From the series: "No news is the new black": Hours of air time, column inches, digital media need to be filled constantly. To do that, a lot needs to be made of nothing, like fashion; the repetition of horrors numb us; idiocies spouted by madmen become mantras. Combined, they are what we see, hear and read all day every day to the point of nothingness: ergo, no news is the new black. These collages combine the elements that fill our media and juxtapose them into pleasing compositions: they seem familiar and acceptable. This piece refers to the overblown hype associated with the Princess Katherine's birth to Prince George. On the other end of the spectrum from murder and mayhem, the handling of this event by the media nonetheless fits the series title.
Collage:Ink on Canvas
Original:One-of-a-kind Artwork
Size:12 W x 12 H x 1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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It was my first time in The Smithsonian Institution – the original old red “castle” building. From a distance, my 11-year old eyes thought that maybe what I was seeing at the far end of the room was a painting of a sunrise, though maybe it was something else altogether. From a distance, it was hard to tell. It turned out that this was not a painting at all: I was looking at brushes that were mounted on a board. They were arranged in an arc with their plain wooden handles radiating out from the center. A burst of blond bristles. I walked toward it, mesmerized. As I got closer and was able to verify that, yes, these were brushes of varying sizes, shapes and purposes, I also saw that to the left and right of this tremendous wall-hung display case were additional displays of other brushes, as well as knives, button hooks, can openers, and other utilitarian things. The name of the exhibit was “Fuller Brushes and Turn of the Century Tools”. I was stupefied. I had no idea that ordinary things could be made to look like art. I had not known that composition was king: I had thought that subject matter was. I had not known that art could be monochromatic: I had thought that color was queen. I had not known that anything could be beautiful given enough care and attention, and imbued with a concomitant sense of importance. It was there and then that I understood that visual communication was all in how you look at things, and in how you show them. And I knew with certainty then and there, without question or hesitation, that I was right for art.
Artist featured by Saatchi Art in a collection
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