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Digital, Digital on Paper
Size: 30 W x 40 H x 0.1 D in
Ships in a Tube
$2,215
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ABOUT THE ARTWORK
Abstract digital painting, contemporary, classical. The work is a stage set for the appearance of Helena in Goethe's Faust, act III. It shows the palace of king Menelaus into which Helena enters to meet the famous warrior. Through its architectural design and its rich contrasting colors, the work conveys the place where Faust can live out his illusion of becoming co-regent with her of a vast empire. All that will be left of the illusion will be Faust himself in whose embrace Helena evaporates. The complexity of the work technically derives from merging spontaneous movements of a dynamically changing brush with intuitively controlled algorithmic processes that determine the character of individual strokes, their color and direction. The work is printed on Hot Press Fine Art Smooth Bright White paper (an acid free, 100% cotton rag media with a bright textured finish, yielding an extremely high color gamut and black density). It is signed and numbered by the artist, accompanied by a CoA, and shipped without hanging hardware, in a very sturdy tube protected against folding and puncture.
Original Created:
2017
Subjects:
Materials:
Mediums:
DETAILS AND DIMENSIONS
Digital:
Digital on Paper
Artist Produced Limited Edition of:
10
Size:
30 W x 40 H x 0.1 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships Rolled in a Tube
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
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Otto Laske
United States
I am an experimental artist working in digital painting, graphics, abstract photography, animation, and textile design. My work is abstract in the sense that I invent shapes, colors, and textures without reference to representational concerns. Working entirely digitally, I consider the boundaries between domains of visual art as entirely permeable. Since I work with a large variety of tools aided by a mastery of controlled random, the outcome of my composition and design processes are unpredictable; their results often straddle the line between established visual-art categories.
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