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Digital, Paper on Paper
Size: 42.5 W x 45.3 H x 0.1 D in
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$2,320
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ABOUT THE ARTWORK
Work made on 310 gr Canson Infinity RAG Photo cotton paper, with Epson UltraChrome HD ink of long durability, UV protection Work from the new series "Strange Times". This work is based on personal reflections on the pandemic situation we are experiencing. The situation of helplessness, the personal loneliness that, although surrounded by loved ones, we face. I seek to express in an abstract way with photographic images manipulated, combined and juxtaposed emotional patterns of the human being and society. The compositional structures generate forms created impulsively to make the viewer's gaze intervene, reflecting on himself and society. The uncertainty of a situation that we do not understand, the impotence of not winning this battle quickly, creates empty, neutral spaces that are reflected in my work. Time stands still, nothing progresses with "normality", we live in a stage of an alternative reality that creates voids, irreplaceable. Signed and dated on the back of the work with Certificate of Authenticity. All limited edition prints are accompanied by a signed, dated and numbered Certificate of Authenticity. Signed on the back.
Original Created:
2021
Subjects:
Materials:
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DETAILS AND DIMENSIONS
Digital:
Paper on Paper
Original:
One-of-a-kind Artwork
Size:
42.5 W x 45.3 H x 0.1 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships Rolled in a Tube
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Spain.
Customs:
Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Please visit our help section or contact us.
Photography is the fundamental basis of my work, both in traditional photography and in interpreting and investigating other pictorial techniques. Basically, most of my work is done in black and white, using different supports, paper, wood, cardboard, fabrics, etc,... I use photographic emulsion on wooden supports as well as transfer and acrylics. My way of seeing photography is to unify the photographic technique with the plasticity of matter and paint, it is my challenge. As is the case of my latest works where the use of the chromatic masses of the photographs are transformed into compositions of geometric abstraction, much more plastic.
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