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Art Deco Nude - 23-08-22 Drawing
Netherlands
Drawing, Graphite on Paper
Size: 12.2 W x 9.4 H x 0 D in
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About The Artwork
Movement Another graphite pencil drawing ‘Art Deco Nude – 23-08-22’, inspired by again a smashing picture by Walter Bird. The last drawing shows a seated lady. Contrasts are always on my mind though. Not in the style but in movement this time. What attracked me in the motif was the angular position of the female form. I am not sure whether she stood still like this but it looks like some ritual dance. I can ask my Spanish model Julia who is a dancer to strikes these kinds of poses. All induced by Walter! Extrapolate Them The bodily features almost took up a perfect square. However, I wanted to make sure I wasn’t going to end up with too much negative space around her. Therefor, extrapolating her features into the negative space came to my aid. The planes that are born from this process support the overall expression of her moves, I think. Some of them I hached up to complete darkness, other to midtones. Vice versa I did in the positive form as well. The most contrasting tonal values (completely light / dark) I placed within the body. I wanted only mildly distracting or diffuse the viewer’s attention. This way I found a perfect balance.
Details & Dimensions
Drawing:Graphite on Paper
Original:One-of-a-kind Artwork
Size:12.2 W x 9.4 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Netherlands.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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