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Ashes to Ashes Drawing

Finn Campbell-Notman

Spain

Drawing, Charcoal on Paper

Size: 110.2 W x 43.3 H x 0.1 D in

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SOLD
Originally listed for $12,120

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ABOUT THE ARTWORK

Some time ago we had wild fires in Andalusia, Spain and I kept some of the charred remains of trees and plants aside for an image making use of these material. Then more and more frequently and especially this year wild and forest fires have occurred across the globe, most recently in California, USA. I acquired some material from there for this work. This image is part of my Carbon Series and this is perhaps the key work from it. The image is a depiction of a wildfire at night and is executed using the resulting charcoal and ashes from the fire itself. The more we burn fossil fuels the hotter the climate gets and like a leaping flame - from the furnace to tree our environment burns. I wanted to invoke and evoke Heironymous Bosch's The Last Judgement in one sense but also the turmoil, heat, disorder and destruction- for the fire to be present, for the viewer to be in the fire where in the Bosch there is a cool detachment.

DETAILS AND DIMENSIONS
Drawing:

Charcoal on Paper

Original:

One-of-a-kind Artwork

Size:

110.2 W x 43.3 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Finn Campbell-Notman M.A. R.C.A British, London 1970, Finn grew up in rural England, principally Norfolk and Somerset. Over the years he has lived and worked in Cornwall, London, UK, San Francisco, USA, Brussels, Belgium and Andalusia and Barcelona, Spain. • An artist is essentially a lens through which the universe is refracted. Each lens however is unique. The ongoing aim is to make my particular lens as clear, focused, personal and distinctive as it can be. For me this means being continuously vigilant to life’s mutability, to have an open and receptive fragility in regard to this flux and from a position of attentive awareness and inquisitiveness attempt to communicate my experience of it through the work, thereby to arrive at some small amount of reciprocal wisdom about both myself and the world. The artwork as such is the result of that which has been projected by the universe through me and thus the imagery is an attempt to create both photographs - in the sense that my work focuses this ‘light’, and to create images in the sense that they are an expression of the distillation that happens within, sometimes over the course of extended periods of time. It is to be an instrument to record and express the tension and play between intra-mission and extra-mission, the meeting of the brush or pencil being the focal point. The artworks are thus microcosms, simultaneously process and practice. When I achieve this there is a stillness and poise, a subtle sense of the uncanny or perhaps, in Han’s Belting’s terms; the ‘aura’; a kind of calm vivacity to my work. My principal wish is always to improve my ability to communicate more eloquently through my work and for the work to speak with honesty and clarity. I think we respond to an artwork in a variety of ways but we especially respond to those that 'feel true' irrespective of whether they are representational or not. That response to 'trueness' or perhaps ’rightness’ I think derives from the tangibility felt by the viewer of the experience shown i.e what has been distilled within the work is transmitted and apparent to the receiver. Art is to me thus also an ethical/moral activity; the personal, socio-cultural, political and natural are inseparable and I try to reconcile all this within and through my work.

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