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Another, in my " personal fatalism" series. The mistress of the circus likes to play with her balloons. She likes to fly her innocent, floating inventions, way up high, in any sort of swirling, dangerous wind. Other things she delights in are the exhibition of Vanity, selfishness.  With her mouth fully agape she is an expert at loudly disseminating her cherished pearls of ignorance. The usual, alluring bits are tucked under her pits, and her more than ample backside is yours for the viewing. Can anyone guess why? The original work is done in graphite and color pencil, on watercolor paper. The image is approx. eleven by nine inches, and is set behind glass in a beautiful silver colored wooden frame, around eighteen by twenty four inches. To read more of my writing on this subject, and other painters throughout time whom I believe added their own sort of Fatalistic voices, please copy and paste this url in your address bar;

http://fatalismpaintingmovement.blogspot.com/
Another, in my " personal fatalism" series. The mistress of the circus likes to play with her balloons. She likes to fly her innocent, floating inventions, way up high, in any sort of swirling, dangerous wind. Other things she delights in are the exhibition of Vanity, selfishness.  With her mouth fully agape she is an expert at loudly disseminating her cherished pearls of ignorance. The usual, alluring bits are tucked under her pits, and her more than ample backside is yours for the viewing. Can anyone guess why? The original work is done in graphite and color pencil, on watercolor paper. The image is approx. eleven by nine inches, and is set behind glass in a beautiful silver colored wooden frame, around eighteen by twenty four inches. To read more of my writing on this subject, and other painters throughout time whom I believe added their own sort of Fatalistic voices, please copy and paste this url in your address bar;

http://fatalismpaintingmovement.blogspot.com/
Another, in my " personal fatalism" series. The mistress of the circus likes to play with her balloons. She likes to fly her innocent, floating inventions, way up high, in any sort of swirling, dangerous wind. Other things she delights in are the exhibition of Vanity, selfishness.  With her mouth fully agape she is an expert at loudly disseminating her cherished pearls of ignorance. The usual, alluring bits are tucked under her pits, and her more than ample backside is yours for the viewing. Can anyone guess why? The original work is done in graphite and color pencil, on watercolor paper. The image is approx. eleven by nine inches, and is set behind glass in a beautiful silver colored wooden frame, around eighteen by twenty four inches. To read more of my writing on this subject, and other painters throughout time whom I believe added their own sort of Fatalistic voices, please copy and paste this url in your address bar;

http://fatalismpaintingmovement.blogspot.com/

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Balloons Drawing

De Yos

United States

Drawing, Pencil on Paper

Size: 27.9 W x 22.9 H x 2.5 D cm

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$744USD

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Another, in my " personal fatalism" series. The mistress of the circus likes to play with her balloons. She likes to fly her innocent, floating inventions, way up high, in any sort of swirling, dangerous wind. Other things she delights in are the exhibition of Vanity, selfishness. With her mouth fu...

Year Created:

2015

Subject:
Mediums:

Drawing, Pencil on Paper

Rarity:

One-of-a-kind Artwork

Size:

27.9 W x 22.9 H x 2.5 D cm

Ready to Hang:

Not Applicable

Frame:

Gold

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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14-day return policy. Visit our help section for more information.

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Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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De Yos

De Yos

United States

Based out of a modest home studio in New York, De Yos is a Painter, and Draughtsman, whose work deals primarily in the chaotic flux that is Human Nature. His work explores the tensions between this element and, technology, superstition, the family unit dynamic, and lastly, what he has come to term as ' The myth of progress'. Much of the time the work is laced with a strong personal aspect, and in style is quite expressive. Now in his mid fifties, De Yos has wielded some sort of mark making implement in his hand as far back as his memory will take him. Although he has had some formal technical instruction-much of it through books and literature- De Yos is mostly a self taught painter, yet, one well versed in all aspects of the history of Art. He often draws upon this breadth of knowledge in the creation of his varied style of works.

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