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Barred Drawing

Nancy Nightingale

United Kingdom

Drawing, water soluble crayon on Paper

Size: 11.7 W x 16.5 H x 0.1 D in

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SOLD
Originally listed for $350

41 Views

3

ABOUT THE ARTWORK

I created this drawing whilst stuck inside my flat during the global Covid-19 pandemic. The drawing began as an abstracted observation of light scattered upon the surface of a bench table. I chose to alter the serene nature of the original image by rotating the drawing vertically. What we would initially recognise as a moment in a relaxed setting becomes what appears to be a barrier of sorts, mirroring our current situation of lockdown within the United Kingdom. The construction of space is made with sensitivity to materiality, imitating visual moments containing both harsh and subtle light. The body of work is process-led which allows for a controlled restriction of information by removing detail, abstracting each moment in time that would usually be regarded as something ordinary or routine.

DETAILS AND DIMENSIONS
Drawing:

water soluble crayon on Paper

Original:

One-of-a-kind Artwork

Size:

11.7 W x 16.5 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Nancy Nightingale is an Artist based in Edinburgh, United Kingdom, who graduated from Edinburgh College of Art at the University of Edinburgh in 2018, specialising in Painting. Within her practice, Nancy observes how changing daylight transforms space. Within her work, she translates cinematic-like lighting of architectural spaces into blocks of textured marks. Having been diagnosed with Irlen Syndrome at 16, a condition which causes visual stress, Nancy recognised her ability to process light, text and images differed to those around her. She constructs drawings by building blocks of repetitive and heavy linear marks which contrast with the paper they sit on. This mimics the flashing effect she perceives which occurs when reading text, and softer marks mirror the ghostly image that lingers after looking away from a subject. Through her work, Nancy recreates her experience of processing visual information with a heightened sensitivity to light. Nancy’s drawings are process-led which allows for a controlled restriction of information by removing detail, abstracting each space that would usually be regarded as ordinary or routine. The choice of earthy, monochromatic and grayscale tones mirror that of a concrete landscape. Materials are used as a tool for creating visual noise, where quieter moments exist within subtle changes in texture. By abstracting the original space, the artworks capture the mood without need for explicit definition.

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