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Beek – 09-05-24 Drawing

Corné Akkers

Netherlands

Drawing, Graphite on Paper

Size: 5.8 W x 4.1 H x 0 D in

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$970

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About The Artwork

Liberation Day Walk This graphite pencil drawing ‘Beek - 09-05-24’ is a bit of cubism placed in atmospheric depth. Last weekend I went out to spot some sceneries with my dad. Playground: Berg en Dal and Beek-Ubbergen. We parked on the Rijksstraatweg and walked our way up to the Filosofendal. That was last May 5th, Liberation Day. Not a particular beautiful day though. In the beginning it was cloudy and I saw dark clouds start appearing. Later that walk here comes the sun. Suddenly there was enough sunshine to took some great reference pictures of treescapes and hills. There was also Huis Wylerberg that caught my attention. Surely gonna make some of that villa in the next future. Perhaps even doing a pastel on a spot I discovered. There, in a meadow, you look right over the house and the Ooijpolder. That will be later. First, my artistic considerations as to this. Kethel Walking back to my car there was this beautiful willow tree with some houses in the background. Immediately I thought of a previous treescape I made, called ‘Kethel - 13-07-19 (Sold)’. This time I thought the triangular roof shapes were in perfect contrast to all things circular in the tree. Maybe this one turned into something more realistic. At least less abstract than the Kethel piece. However, there is plenty of abstraction, especially in the foliage and little branches. In the end I toned down the houses and the tree in the back on the right. They asked for too much attention. It’s always hard to finetune these things. Too much and it will be in competition with the main theme. Too less and you cannot have secondary stuff support that main theme efficiently. All in all, a nice experiment and a bit back to cubist styling again.

Details & Dimensions

Drawing:Graphite on Paper

Original:One-of-a-kind Artwork

Size:5.8 W x 4.1 H x 0 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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