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Drawing, Charcoal on Paper
Size: 11.9 W x 11.9 H x 0.1 D in
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‘BURNISHED SURFACE’ is a series of 20 frottages within the body ‘SURFACE WORK’. In the same way as I make my surfaces, I made a surface of cement to use as a template for the rubbings on paper. I rub and burnish crushed pigments in variations of charcoal on charcoal, graphite on charcoal, charcoal on graphite, graphite on graphite. It is a direct response to the coal mining tradition among coal miners in some areas of Scotland including the region of Fife where my family mined. After each shift, the miners were brought up from “the pit” covered in coal dust. Their wife or children would wash them in a tin bath, scrubbing their bodies clean except for their spine. There, black dust was burnished into their skin and after time became permanent. They believed it made their back stronger. White shirts, black jackets, Sunday Best clothes covering black paintings.
Charcoal on Paper
One-of-a-kind Artwork
11.9 W x 11.9 H x 0.1 D in
White
Not applicable
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Born in St. Andrews, O’Donnell is an award-winning Scottish painter currently working on the series of paintings, 'Surface BPM. 2023'. After 18 years of professional practice in Northern Norway, she now has studios in Spain and Scotland. With a Masters in Contemporary European Fine Art, she is an accomplished lecturer and curator, and parallel with her own art practice, spent five years as Director of Galleri NordNorge, the Gallery of Northern Norway, collaborating with museums and galleries such as the National Museum of Art in Oslo, showing work by Paul McCarthy, Norway 10 Designers and established international artists, while providing a platform to emerging. She has many years of experience on the boards of industrial, commercial and creative organizations such as NNBK (North Norwegian Artists’ Union), Innovasjon Norge's Creative Development Project, and as President of Fundación Sierra de Libar in Spain. Sitting on collection committees of Sparebank1 NN Art Foundation and art consultant for KORO, Norway's department of art for acquisitions in architecture, she has had the honour to commission artwork and contribute to advancing the careers of Norwegian artists. Works are in major collections including The Scottish Office, North Norwegian Museum of Art, and The Norwegian Arts Council Collection. Recent exhibitions include a.topos International Curatorial Collective, Venice and Brussels Art Exhibition, Belgium with Monat Gallery, Madrid. In-depth articles and interviews are featured in contemporary magazines including ART Habens Review and Art Reveal Contemporary Art.
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