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Drawing: Ink, Acrylic, Gesso, Monotype, Paper mache on Paper, Cardboard, Other.
- What I gather under the name of ‘Tablets’ are some kind of hieroglyphs of studio life / mental structures that oscillate between a book and a painting / tool-container. A tablet can be viewed, read, touched, smelled, and involves the viewer's body. All Tablets have two sides: the image (sketch / photo) and a quote (writing / photo). Several tablets are organised into library bodies and correspond to the structure of my personal Dictionary of quotations. Tablets involve: stirring, sifting, storing, preserving, priming, locking, stacking, sanding, transferring, cutting, wetting, drying , using
- Tablets are made of a very personal matter: a mixture of maché paper (obtained by shredding and macerating old books and other recycled papers), plant dust (obtained by grinding the hulls and the remains of dried vegetal food throughout the year), ashes(As a result of the fire made in the stove over the winter), using flour or glue as a binder, and allowing the whole to dry in the sun for a long time.
- IN-TRIGÂ INSTALLATION The over eighty tablets that make up the In-Trigâ installation are organized according to several themes that correspond to the words of my personal dictionary of interest quotations: PAPER, LINE, DEATH, SHOULDER, SKIN, REALITY, SENSATION, COUNTRY. Alongside the tablets, other elements - studio leavings / workshop remnants - which served as basis for the installation, such as jars of ash and vegetal dust, dried flowers, coal, salt, boxes of paper remains, mummified objects, From old books, underlined books, notebooks with handwritten quotations, sketches of ideas, photos, objects found, memories, etc.
Artist featured by Saatchi Art in a collection