Deep digital night series Drawing

Digital technologies have formed a new environment of existence, with its laws and rules of conduct expressed in post reality in which the digital and analog worlds merged in the concept of “contemporary nature”, «deep ecology». Researching new language of sensitive, formed on the basis of new technologies, I rethink boundaries of the corporeal in new reality, appeal to the aesthetic of error, temporal failures glitch, white noise and etc. I am Interested in processes in virtual spaces and their influence on the physical world. Such concepts as "digital freedom", free exchange of knowledge, "new copyright", different codes, concept of Livshits about new sensualities, overcoming boundaries of corporeality, extending tradition of ready-made video and photo and using accidentally found digital material. Working with software or simple and/or complex digital devices, I see a certain potential in malfunctions, errors, interference, glitches, not only for art, but also for critical evaluation of society with its constant striving for improvement. I guess through the aesthetic of error, on the one hand, we can prove that machines are able to speak out, resist imposed rigid structures, algorithms and programs that seek to keep them in the "norm" all the time, thus criticizing closed systems not only in technology but also in society, and on the other hand, to demonstrate that such failures have become a direct part of reality. The other type of visual aesthetic, that I use, is the hybridization of visual language, which inextricably linked with the dematerialization of the material world. When I combine everyday objects and processes with digital technology, I have become more and more convinced that “digital” has become in our time the same “natural”, “digital” approximately equal to “analog”. You just need to think about the term “digital nature” and it becomes clear that it is the same nature, the material world of the Universe. Reflecting on the future is inextricably linked to the understanding of the present like an irreversible natural process. Digital nature can’t oppose biological, because it is its logical continuation / conversion. New technologies affect the natural evolution of our thinking, just as the development of the visual art language. I`m from a cohort of artists – “alchimists”, assiduous experimenters with the internal texture, “body” of artwork.