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Indonesia
Drawing, Digital on Canvas
Size: 39.4 W x 39.4 H x 1.2 D in
Ships in a Tube
Drawing:Digital on Canvas
Original:One-of-a-kind Artwork
Size:39.4 W x 39.4 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Russia.
Customs:Shipments from Russia may experience delays due to country's regulations for exporting valuable artworks.
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Indonesia
"With the development of artificial intelligence, art will become personalized. Now it is more or less in common: there is a set of canonical works that everyone knows, but is perceived differently. The emergence and development of neural networks can lead the art world to become individual, it will be tuned to what each of us perceives: each will have its own impressionism, surrealism, realism. And this kind of art, a kind of mixture of natural and artificial intelligence, will have the strongest impact on the future of man. Dmitry Volkov (philosopher, venture capitalist and contemporary art collector). Frappism is one of the first sprouts of this kind of art of the future. The term itself is an acronym with "Fantastic Realism Applications". Technological feature of Frappism is that works are created exclusively with the help of mobile applications and neural network algorithms.The main idea is to manifest through digital manipulations hidden in the original image sacred values, symbols and signs, making explicit the transcendental. My artistic interest is precisely to manifest the subtle through rough, finding techniques of program reconstruction of optical refraction processes occurring in human perception in altered states of consciousness, which I have previously explored in long experiences of sensory deprivation and which, in my opinion, are the primary basis of all world cultures. Sometimes it becomes an opportunity to look into the dark pavilions of the mind, about which Marcel Proust wrote magnificently: "Each of us has two such pavilions: In contrast to the one we think of as our only pavilion, the other, usually unbeknownst to us, is a real pavilion, symmetrical, well known to us, but completely different from it, and its ornamentation, where everything is unexpected for us, will terrify us because it consists of disgusting signs of hostility that we have never known before. It would be appropriate to mention here the outdated verb "to flappish," which meant it was unpleasant to amaze, stun, surprise. The space of truth is the essence of the moment and it can only be expanded by creative work.
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