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Extinct: Aguijan Reed-warbler, 1995 Drawing

Stacie Birky Greene

United States

Drawing, Ink on Wood

Size: 24 W x 24 H x 1.5 D in

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About The Artwork

For this series on extinct and critically endangered birds I draw on small wooden rectangles that are then tiled to form a mosaic – a fragmented image representing a lost species. I think of this series as the past and present as these birds have either already disappeared or are in the process of disappearing

Details & Dimensions

Drawing:Ink on Wood

Original:One-of-a-kind Artwork

Size:24 W x 24 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Originally from Colorado, Stacie Birky Greene received degrees in Art and Art History from the University of Kentucky. She also studied in Florence, Italy, and at the Art Institute of Chicago. Although painting was the focus of her training, she has explored her art in a wide variety of media, including drawing, performance, photography, installation and video. The central focus of Birky Greene's work has been to explore nature through a combination of materials and techniques. Her approach has often been guided by a fascination with form and shape, particularly as nodes for connecting unlikely allies, such as coral and cacti. By taking organic materials (or at least their representation) out of context, she compels the viewer to revel in patterns of structural unity. Her recent work has also considered the impact of human consumption and climate change on the natural world. Appalled by mass deforestation and habitat destruction, she has turned her attention to bird species that have gone extinct since the time of her own birth. The tangible results of this study will be revealed over the course of the next few years, in a variety of projects. One feature of these works that is important to consider is her choice of materials: namely, junk mail, which she either uses "as is" or manipulates, with the addition of other detritus, into homemade paper. It is a project that implicates us all in its struggle: here are beautiful objects made, nevertheless, from unwanted materials. Moreover, the materials themselves are the products of overconsumption of resources - fossil fuels burned in production and transportation, and deforestation to provide wood pulp for paper. The problem of avian ecology and the pressures these birds face is multidimensional, but the viewer is placed in the unlikely position of assessing and admiring the victim even as its emblem is formed from components that have been implicated in its destruction. Stacie's art is featured in the following articles: Peripheral ARTeries Art Review Feb. 2015 UT San Diego Article: Stacie Birky Greene: Balboa Park as Terra Incognita Jan. 30, 2012

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