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Drawing, Oil on Paper
Size: 10.2 W x 13.8 H x 0 D in
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Each painting that I create is a unique dance with a variety of materials, unique to each work. I often refer back to traditional painting methods when priming the surface and preparing the paints. One of my preferred mediums is egg tempera, which i prepare myself from scratch in the same way that the renaissance masters would have done. I always use oils and inks in my work. The quality of these mediums enables me to build up subtle and rich layers, from which my poetic images appear. Each work is always a battle between exposing and suppressing different areas until the perfect balance of colour and form is achieved. The organs drawing are inspired from an Atlas of Human Anatomy and Surgery from Jean Baptiste Marc Bourgery (1797–1849) which was not only a massive event in medical history, but also remains one of the most comprehensive and beautifully illustrated anatomical treatises ever published in any language. In 1830, having received his doctorate in medicine three years prior, Bourgery began work on his magnificent atlas in cooperation with illustrator Nicolas Henri Jacob (1782–1871), a student of the French painter Jacques Louis David. The first volumes were published the following year, but completion of the treatise required nearly two decades of dedication; Bourgery lived just long enough to finish his labor of love, but the last of the treatise’s eight volumes was not published in its entirety until five years after his death.
Drawing:Oil on Paper
Size:10.2 W x 13.8 H x 0 D in
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
I have been always fascinated by nature, the behavior of animals, the way that flowers and plants grow and how we are a big part of it, the subtle injection of ambiguity that blurs the gap between the ordinary and the fantastic. In my work I want to bring nature closer to the observer, to connect people with their roots and memories. Organic elements are essential as they show us, like in a fairy tale, the link between the subconscious mind and the actual world. This, besides having an apparent dark side, also embodies a sense of fragility and Vulnerability, which seems to be a consistent characteristic of my work. Delicate graphite lines, a subtle oil color palette, ink and rice paper all amalgamate to create layer after layer a particularly dreamy look that distinguishes my work. www.kareninafabrizzi.com
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