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On Chinese Painting and Calligraphy The highest criterion of excellence was the ability to convey the most refined and dynamic qi (vital energy) through one’s brush. In painting this meant to capture both the physical appearance of the subject (be it a person or landscape) and its inner essence. Stephen Little in “Daoist Art”, Daoism Handbook. "Invention of Calligraphy" Digital Ink Painting on Paper/Ink-jet Print 1 of 5, 60cm x 60cm. Edition 5 + 2AP (the Artist's proof is for my archive). Printed on Hahnemühle Photo Rag Baryta paper 315 g/sqm with archival inks, to ensure the quality and longevity of the print. The print comes with a small white board. Signed by the artist on the back of the print, with a certificate of authentification and shipped well protected in a tube (in a tube).
On Chinese Painting and Calligraphy The highest criterion of excellence was the ability to convey the most refined and dynamic qi (vital energy) through one’s brush. In painting this meant to capture both the physical appearance of the subject (be it a person or landscape) and its inner essence. Stephen Little in “Daoist Art”, Daoism Handbook. "Invention of Calligraphy" Digital Ink Painting on Paper/Ink-jet Print 1 of 5, 60cm x 60cm. Edition 5 + 2AP (the Artist's proof is for my archive). Printed on Hahnemühle Photo Rag Baryta paper 315 g/sqm with archival inks, to ensure the quality and longevity of the print. The print comes with a small white board. Signed by the artist on the back of the print, with a certificate of authentification and shipped well protected in a tube (in a tube).
On Chinese Painting and Calligraphy The highest criterion of excellence was the ability to convey the most refined and dynamic qi (vital energy) through one’s brush. In painting this meant to capture both the physical appearance of the subject (be it a person or landscape) and its inner essence. Stephen Little in “Daoist Art”, Daoism Handbook. "Invention of Calligraphy" Digital Ink Painting on Paper/Ink-jet Print 1 of 5, 60cm x 60cm. Edition 5 + 2AP (the Artist's proof is for my archive). Printed on Hahnemühle Photo Rag Baryta paper 315 g/sqm with archival inks, to ensure the quality and longevity of the print. The print comes with a small white board. Signed by the artist on the back of the print, with a certificate of authentification and shipped well protected in a tube (in a tube).
On Chinese Painting and Calligraphy The highest criterion of excellence was the ability to convey the most refined and dynamic qi (vital energy) through one’s brush. In painting this meant to capture both the physical appearance of the subject (be it a person or landscape) and its inner essence. Stephen Little in “Daoist Art”, Daoism Handbook. "Invention of Calligraphy" Digital Ink Painting on Paper/Ink-jet Print 1 of 5, 60cm x 60cm. Edition 5 + 2AP (the Artist's proof is for my archive). Printed on Hahnemühle Photo Rag Baryta paper 315 g/sqm with archival inks, to ensure the quality and longevity of the print. The print comes with a small white board. Signed by the artist on the back of the print, with a certificate of authentification and shipped well protected in a tube (in a tube).
On Chinese Painting and Calligraphy The highest criterion of excellence was the ability to convey the most refined and dynamic qi (vital energy) through one’s brush. In painting this meant to capture both the physical appearance of the subject (be it a person or landscape) and its inner essence. Stephen Little in “Daoist Art”, Daoism Handbook. "Invention of Calligraphy" Digital Ink Painting on Paper/Ink-jet Print 1 of 5, 60cm x 60cm. Edition 5 + 2AP (the Artist's proof is for my archive). Printed on Hahnemühle Photo Rag Baryta paper 315 g/sqm with archival inks, to ensure the quality and longevity of the print. The print comes with a small white board. Signed by the artist on the back of the print, with a certificate of authentification and shipped well protected in a tube (in a tube).
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"Invention of Calligraphy" Drawing

Harald Gsaller

Austria

Drawing, Ink on Paper

Size: 23.6 W x 23.6 H x 0 D in

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About The Artwork

On Chinese Painting and Calligraphy The highest criterion of excellence was the ability to convey the most refined and dynamic qi (vital energy) through one’s brush. In painting this meant to capture both the physical appearance of the subject (be it a person or landscape) and its inner essence. Stephen Little in “Daoist Art”, Daoism Handbook. "Invention of Calligraphy" Digital Ink Painting on Paper/Ink-jet Print 1 of 5, 60cm x 60cm. Edition 5 + 2AP (the Artist's proof is for my archive). Printed on Hahnemühle Photo Rag Baryta paper 315 g/sqm with archival inks, to ensure the quality and longevity of the print. The print comes with a small white board. Signed by the artist on the back of the print, with a certificate of authentification and shipped well protected in a tube (in a tube).

Details & Dimensions

Drawing:Ink on Paper

Original:One-of-a-kind Artwork

Size:23.6 W x 23.6 H x 0 D in

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Harald Gsaller is an Austrian contemporary artist and writer. Artist's Statement: Gsaller’s practice encompasses the use of digital drawing / graphics, photography, video, text-image emblems and lecture performances / artist’s lectures. The artist draws inspiration from the heritage of (Western) philosophy, rhetorics, science and art – in line with the motto “Something open”; since 2005 he has been influenced by (Chinese) Daoist philosophy, religion and visual culture, referring to this artistic research as “Un-curating the Dao". ––––––––––––––––––––––––––––––––––– Comment: Chinese connoisseurs of art sometimes state that Chinese philosophy and art “need a deep understanding”. An Austrian / Western artist might observe that there are excellent Chinese pianists, philosophers or contemporary artists who have deeply felt “their” Schubert or Heidegger or Kosuth …

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