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Jellyfish Drawing

Laurent Marty

France

Drawing, Ink on Paper

Size: 14.8 W x 21 H x 0.1 D cm

Ships in a Box

This artwork is not for sale.

118 Views

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ABOUT THE ARTWORK
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Jellyfish (2015 12 27 - 01) Drawing made with India ink on thick paper (180g/m2 - 85 lbs). Dated and signed on the back. It is part of a series of graphic works on the same theme. The practice in Indian ink allows no mistake in drawing. The tentacles must overlap and cross without getting lost. The ...

Year Created:

2015

Subject:
Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

14.8 W x 21 H x 0.1 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

Need more information?

Need more information?

Laurent Marty is a french painter, living and working in Marseille. " My artistic practice is developed around several notions and questions : the dialectic of the figure and the background, the work in reserve, the silhouette and the backlight, the organic, the concave/convex, full/empty ambivalences. My first ambition is to develop strange, singular, ambiguous images, having a strong graphic and chromatic presence, a real evocative power, but whose pictorial technique of ascent to the form would double this strangeness. Indeed, my paintings proceed from a reversal of the traditional construction procedure, and a questioning of the classic relationship between form and background. It is a matter of creating a contradiction between the relief of the lower layer, which suggests a certain image, and the solid outline of the upper layer, which contradicts the expected silhouette, pierces the evoked volume, destabilizes the figuration. It's a very drawn painting. I have a requirement for perfection of the line, even on a close scan of my large formats. I am sometimes frightened by the exasperating precision I impose on myself in tracing the contours with the brush. But I fear that the chromatic excess, the formal extravagances, I can only dare to do with this restraint of the hand. To tell the truth, I would like the circumspection of my implementation to exacerbate the sensuality of the medium. "

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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