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Korean frog killer Drawing

Emma Souter

United Kingdom

Drawing, Charcoal on Paper

Size: 19.7 W x 26.4 H x 0.2 D in

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About The Artwork

A friend sat for me, she was originally from Korea. We both grew up on farms and we were talking about our childhoods while I sketched. There was a story she told me about frogs which worked its way into the drawing, giving it a more illustrative quality than many of my pieces. The darkness in the tale is evident. You might interpret it how you like if it were not for the title. A gallery which exhibited the work for a while changed its title to be 'Frog lady', to counteract the limited scope the title gives and its negative appeal; but I feel strongly that this is not what it does. Although horrific it is the horror of a child experimenting with life, and the hope is that we learn. That is where the scope lays in this work, the question of what has this girl learned and does she continue in this vein. We probably all have stories from our childhood where we have examined death. Whether its flipping over a flat dead animal with a stick to see its face, or by exploding ants with a magnifying glass in the sun, we want to see death and to get to play gods. The question is does she like it or does she feel regret? The work is framed, strung and behind glass. The framed size is 87cm X 70cm.

Details & Dimensions

Drawing:Charcoal on Paper

Original:One-of-a-kind Artwork

Size:19.7 W x 26.4 H x 0.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

(Sept 2018) Oxfordshire based Contemporary British Artist Emma Souter is best known for her large-scale charcoal and oil action paintings. Expressing notions of lost control or great flux they are by contrast all processes of looking to be still or to distil. The lasting impact of growing up on the Isle of Wight in a rural environment, surrounded by land and sea, remain evident through the sense of traveling outwards and open space in her works. She is less well known for her writing, recordings, illustrations, installations and assemblages, which form an integral part of her creative process and demonstrate the significance of tactile and multi-sensory experience, prioritising sound and touch. Studio practice is frequently spent drawing, field recording, reflecting on freewriting, illustrating objects, staring into space or outdoors. Energetic paintings, appearing quick, are slow to produce, some laying dormant for years between busts of activity. Whichever media is used her works are all positions; revealing, realising and understanding actions and attachments. She keeps hold of many of her works for years before sharing them with others or letting them go, instead choosing to live with them a while. Emma advocates people creating works of their own. Alongside her studio practice Emma is currently a sessional Art and Design Tutor for The British School of Upholstered Furniture and is an Education coordinator and Arts Practitioner for Adumbration Arts. Emma continues her studies as an independent researcher, establishing a programme evidencing the potential cognitive and mental health benefits of artistic enquiry.

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