Melting Love Drawing

My work generated by manual movement appears to be an organic and variable object within a restricted, quadrantal space. My sensible picture plane is seemingly likely to break and disappear due to its fragile appearance fabricated by thin lines overlapping one another and by the arrangement of subtle colors. But work is based on the meditation upon space and is thus the product of the mutual communication of the subjective and objective. It is sufficiently qualified as a two dimensional painting and simultaneously possesses the life force through which something is created from nothing within the picture plane. This immanent life force potentially stretches itself out of the picture plane.