Memento mori Drawing

Usually, I create assemblage-like works, object that rebuild the image like in a puzzle, that create a scene by integrating the space that circumscribes the work (the wall, the vital space around the picture) that is inserted in the piece of work, becoming in this way an element of the composition. It is like a fragment recovery. Thereby, work is not locked, and the shape is not closed, neither limited to the frame. It is expanding, on the wall, in the surrounding ambient, blending with it.