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Drawing, Pastel on Paper
Size: 9.4 W x 11.8 H x 0.1 D in
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Model Session – 23-01-24 A Kick-Off This pastel drawing ‘Model Session – 23-01-24’ is the first I drew live since a long time. Probably last year I think and that was spring if I remember correctly. After that I did a couple of big oil paintings and fall 2023 was all about redesigning my website. Obviously it was time to kick off a new live model drawing season. Luckily for me and all the people present during the session I had a wonderful model called ‘Yulliana’. Location: ‘De Blauwe Tram’, a well equipped studio and community center in Leidschendam. Practising my Skills Last year’s live model sketches I didn’t find particularly interesting. Of course they were made not for publishing or for sale in general. As a matter of fact, last one worthy of publictation was my pastel drawing at the end of 2021. Most of them I consider to be just practising my skills, nothing more. One time I sold one from a live session though. Wouldn’t that be great? Just to create all day long, surrounded by models and selling the produce the very day you made them? I’m realistic, that won’t happen any time soon now. Lucian Freud made live oil paintings even though he didn’t complete them in one day. However, the dream lingers on. Klimt and Rodin surrounded themselves with several models each day. That’s a luxury I can’t afford myself unfortunately. Pastel drawing on Clairfontaine Ingres Pastel paper (24 x 30 x 0.1 cm) Artist: Corné Akkers
2024
Pastel on Paper
One-of-a-kind Artwork
9.4 W x 11.8 H x 0.1 D in
Not Framed
No
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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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