103 Views
5
View In My Room
Drawing, Digital on Paper
Size: 32.3 W x 27.6 H x 0.4 D in
Ships in a Crate
$1,110
Shipping included
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Trustpilot Score
103 Views
5
Artist Recognition
Showed at the The Other Art Fair
Artist featured in a collection
ABOUT THE ARTWORK
Euro-Krise, Staatsverschuldung, Politikverdrossenheit, Korruptions-Skandale. Der „gesichtslose“ Euro kommt nicht mehr aus den Schlagzeilen. Viele Menschen fühlen sich als Verlierer und gesellschaftliche Außenseiter. Von Politikern und Banken betrogen und im Stich gelassen flüchten sie sich in ihre Erinnerungen an „die gute alte Zeit“. Der Schilling muss wieder her und am besten wäre der Austritt aus der Europäischen Union. Man vergisst jedoch nur allzu gerne, dass es früher genauso Probleme gab, die es zu bewältigen galt. Objekte (Pölster) mit Ausschnitten von nicht mehr gültigen Geldscheinen verschiedenster (EU)- Länder und in verschiedenen Größen werden gezeigt. Auf zum Teil ironische Art und Weise werden alte und neue Probleme auf diesen Pölstern sichtbar gemacht. Der Besucher ist gefordert diese Veränderungen zu erkennen.
Original Created:
2017
Subjects:
Materials:
Styles:
Mediums:
DETAILS AND DIMENSIONS
Drawing:
Digital on Paper
Original:
One-of-a-kind Artwork
Size:
32.3 W x 27.6 H x 0.4 D in
Frame:
Brown
Ready to Hang:
Not applicable
Packaging:
Ships in a Crate
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Austria.
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Please visit our help section or contact us.
val wecerka
Austria
. . . . The spectrum of my interests covers a whole range of topics rather than one single working style, from the figure to abstract ornamental formulations. In a larger cycle of middle formatted works, titled "(un)written letters", again the topic is the question of human communication. As in letters that can't be read, characters and symbols structure the area of the pictures. From rows of arranged archaic or primary acronyms, like letters of a foreign script, the composition emerges. .ed.i/180
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Handpicked to show at The Other Art Fair presented by Saatchi Art in New York
Artist featured by Saatchi Art in a collection
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