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Drawing, Graphite on Paper
Size: 8.3 W x 11.1 H x 0.1 D in
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A New Model This graphite pencil drawing ‘Neo Deco – 01-06-23’ serves as a caesura after my long series of landscapes and cityscapes. The last one depicting the Nieuwe Kerk in The Hague I sold yesterday. That’s a nice conclusion and I think it’s time to do something new or is it? Hmm, perhaps not. A return to female forms hardly is but the model surely is. You don’t know her yet. I know her from Instagram where she asked me to portray her. Her slender looks impressed me and during my landscape frenzy I looked at her reference pictures she sent me. I picked this one because of the attractive folds in the towel she holds in front of her body. A Straight Approach Looking back at some recent nudes I made I saw it’s quite some time since I drew them angularly. I think a real angular one was Neo Deco – 26-01-23. For that pose by my regular model I used heavy back lighting, something that’s completely missing here though. In fact the light in the photo comes from the front. Lucky for me the shadows in the folds and limbs were equally interesting. My choice for straight cubist contour delineations was right I think. They represent the straightness of the creases and wrinkles perfectly. Because of her slender appearance her body also seems to complement this straight approach. Graphite pencil (Faber Castell Pitt Graphite Matt pencil 14B) drawing on Fabriano Ingres paper (21 x 29.7 x 0.1 cm) Artist: Corné Akkers
2023
Graphite on Paper
One-of-a-kind Artwork
8.3 W x 11.1 H x 0.1 D in
Not Framed
No
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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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