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Odd Encapsulations Drawing

Regina Valluzzi

United States

Drawing, Marker on Paper

Size: 8 W x 6 H x 0.1 D in

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About The Artwork

I've been working on a series of drawings that juxtapose freehand circles, lines and spaced patterns with circles, lines and shapes drawn using drafting templates (all hand-drawn ink on paper, with an actual pen in my actual hand, NOT "hand" drawn using digital stylus and a mouse). Each drawing evokes a different complex idea, usually STEM and nerdy. The series is titled "Idea Cycles" because of the cyclic nature of ideas. Many of the drawings evoke several very different concepts and phenomena simultaneously, because that's how I think (and that's how the math and physics behind science works). This one is called Odd Encapsulations because the way the circles and other parts of the drawing interact and are structured makes me think of phospholipid vesicles, encapsulation approaches that mimic them, and the role of microenvironments and encapsulation in some origin of life theories and in the basic units of biological function. That's a start, and you can use your own imagination and insights from there.

Details & Dimensions

Drawing:Marker on Paper

Original:One-of-a-kind Artwork

Size:8 W x 6 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am offering a selection of Abstracts and abstracted Science theme work on Saatchi. Please search for me online for my Landscape and Tree of Life bodies of work. I often ask myself whether I'm a physical scientist who also paints, or a painter who has studied a bit too much physics and chemistry. Physics and Chemistry have become a big part of how I model and understand the world. I approach paint texture in terms of it's viscoelastic properties, and color in terms of pigments and their spectra. If you take a cadmium inorganic red and it's organic substitute, gently tweak them so they look almost identical in indirect daylight, will they behave differently in incandescent light? Sunlight? Late afternoon light? (controlled lab light?) Unlike people, fruit, landscapes and other traditional painting subjects, technical ideas and objects don't have an "appearance" in any normal sense of imagery. They're imagined and depicted as visual ideas that guide us through complex phenomena. For example what do like bonds in molecules really look like? Or the quantum not-quite-existence of high vacuum-spawned subatomic particles? The softly dancing dynamic structures in complex fluids? What about "things" that are too small and too delicate for even the best electron microscopes (TEM - SEMs are toys)? I've found that many images scientists create serve as visual similes to data and hypotheses, and as visual metaphors for complex and often highly abstract concepts. These metaphors and their stylized interpretation inspire and guide my "abstract" work.

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