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Omina Mutanur nos et, mutamur in illis Drawing

Graeme Gerard Halliday

United Kingdom

Drawing, Ink on Wood

Size: 80 W x 120 H x 5 D cm

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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This is concept behind my work, a manifesto so to speak. A child of the eighties is the prototype for the New Flesh. They are the children of the digital age, children of the first generation cyborg. The body had transformed. Post-modernism had introduced a new era in art. Computers, television, ...

Year Created:

2012

Mediums:
Mediums:

Drawing, Ink on Wood

Rarity:

One-of-a-kind Artwork

Size:

80 W x 120 H x 5 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

Hallidonto’s (Graeme Gerard Halliday) work relates to his “Cyborgia Manifesto” his main focus is drawing; The essence of the cyborg became my own. The cyborg image has been an integral part of my childhood. The cold war had just ended – the cultural landscape of the 80's, was very much rooted in the future, the inherent feeling of that time was dystopia from the cartoons/films, I watched as a kid, the advent of console gaming: Nintendo, etc. The image of man was always his metamorphism into the machine, or the machines taking over. I identified with the cyborg image, I wanted to be one. I identified with the concept of such a being and it has informed my work to date. They are infantile and simplistic in their appearance but not in their construction, being drawn in one continuous line. My visual discourse is motivated by transcribing the sociological constructions of our age, the evolution of the flesh its reflection of the coming state of mankind, flesh anxiety, the departure into a new being.

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