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On Paper#30 Drawing

Stuart Lehrman

United States

Drawing, Chalk on Paper

Size: 22 W x 30 H x 0.1 D in

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About The Artwork

The On Paper series of work starting in the end of 2016 and ongoing - was inspired by interest in cells. I had a cancer scare and started looking at normal and diseased cell and their interactions. This lead to looking at plant life and in general life affirming cellular interactions. The drawing are done with oil and was pastels. Intense mark making. Over laying complementary colors in each area of color. The big forms are usually complementary as well. This is done to create tension and balance. My work is inspired from the natural and manmade phenomena I observe in the world around me. The historical context of my work is that of Abstract Expressionism, Post-painterly Abstraction, Color Field painting and Minimalism.

Details & Dimensions

Drawing:Chalk on Paper

Original:One-of-a-kind Artwork

Size:22 W x 30 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My practice involves the dialogue between order and chaos. The process is a constant experiment with the physical properties of the materials I am working with-moving between addition and subtraction, making and unmaking. The art is made up of (mistakes or happy accidents) during the process, but these ‘mistakes’ are useful to make because they may lead little by little I hope to the small truths. My work is inspired by the natural and man-made phenomena I observe in the world around me. The Portal Series has percolated in my mind for a long time, originally focused on the idea of a “nest”. When I started drawing it morphed into something with broader meanings, including entry into a void, the eye the passageway into the soul, of course, a "nest' from one stage of life to another. My Road Rage photography series tackles these same problems and attempts to capture this same dynamic, through the lens of the camera. While out on the streets, I am always on the lookout for ambiguous accidents of beauty and power, ground into the common pavement.

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